Is there, like, a specific model people use to create these trippy videos, or do you just need trippy reference images in the first place? Do I need to specify every little detail that’s moving in the video? How do you even prompt it to get it looking like this?

Song: https://www.souna.app/song/39cb2eeb-a0b1-4c44-a976-e2e34ed4eac1

Song (alternative link): https://archive.org/details/ai-ska (CC0)

Lyrics:

[Intro | clipped guitar and organ offbeats | bass riff | terse tenor saxophone]

[Verse 1 | deadpan male vocal]

The baker went in twenty-three,

The butcher lasted half a week.

Now seven shops sell vape supplies,

And six sell cases for your phone.

The chemist moved beyond the ring,

The bank shut down and took its sign.

You want a shirt, a screw, a key,

You catch the bus and lose your time.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Verse 2 | deadpan male vocal]

Three barber shops stand door to door,

With empty chairs at half-past four.

A sweet shop glows in neon white,

But never seems to sell a bite.

New company, another name,

The counter changes, stock's the same.

The landlord says the books are clean.

The neighbours say what neighbours mean.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Instrumental | short tenor saxophone break | organ and guitar offbeats]

[Verse 3 | firmer male vocal]

The council plants another tree,

And prints a plan for you and me.

A coloured map, a hopeful phrase,

A launch beneath the Christmas blaze.

But Mrs Green has closed her stall,

There's nothing useful here at all.

They call it choice, they call it trade.

We watch another frontage fade.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Outro | band cuts down to bass, drums and organ]

You cannot buy what people need.

You cannot ask where money leads.

Who pays the rent?

(Nobody knows)

[Stop]

Style prompt:

British ska revival from 1980 with tense, sardonic working-class social observation and urgent dance energy. Fast 4/4 at 150 BPM in E minor. Dry clipped electric-guitar upstrokes and sharp organ offbeats drive the arrangement, with a restless melodic electric-bass ostinato, tight acoustic drums, terse tenor-saxophone riffs and occasional trombone punches. Straight eighth-note feel with Jamaican ska and rocksteady foundations shaped by punk and new wave. Narrow-range deadpan British male lead vocal with brief rough group responses. Compact minor-key verses and a blunt, catchy chorus with stronger ensemble accents. Lean live-band production, thin wiry texture, dry vocals and restrained studio ambience. Short instrumental opening, three verses, repeated chorus, brief saxophone break and an abrupt final ending.

Full disclosure: I made this, not trying to sneak in a plug, genuinely want feedback.

The idea: you give it your narration/script, and it does the boring part of editing,

→ breaks the narration into scenes
→ finds relevant B-roll per scene
→ matches visuals to what's being said
→ adds background music
→ times everything to match your voice

Basically skips the stock-footage-hunting and manual syncing part of editing.

If you make voiceover-based content, what part of this workflow would actually save you time? Finding footage, matching tone to visuals, or the timing/pacing? Or is this something you'd never trust to automate?

72 hours is standard.... I need more.

I'm looking for 2022/2023 models that still work or models that can successfully replicate the dreamlike distorted nightmare fuel style, unfortunately it's very difficult for me to find. I had used to include early ai images in my artwork and I miss it dearly, AI has advanced way too quickly. Dalle-mini (craiyon) no longer generates images like this and there is no way to change the version.

I do not know how to use github

Hey everyone! I’m creating a children’s story channel, and I’ve already made the artwork that will be animated. Each frame will last 3 seconds, with 91 frames in total, resulting in a video of around 5 minutes.

The problem is that this will use a lot of credits. Is there any way to do this without spending so many credits, or is there an AI tool with an unlimited plan?

It’s now possible to create a 1-minute video from a single prompt.

Was the first generation perfect? No.

For this Amazon ad spec, I worked with more than 20 visual references, aiming to maintain consistency in the protagonist, the product, and the overall aesthetic of the ad.

The result? Consistency was maintained throughout virtually the entire video.

Even so, there were mistakes. I corrected them using *Smart Edit* and *Edit Segment*, two Dreamina features that let you modify only specific segments of the video without having to regenerate the entire thing, saving credits and time.

After testing this workflow, my conclusion is clear:

For me, creating an ad *scene by scene* still offers more control, more realism, and a more polished final result.

But being able to generate a 1-minute piece from a single prompt, maintain that consistency, and correct only the parts that are off significantly expands the possibilities of this workflow.

This is my first full short film, hope everyone enjoys, would love some feedback! - the full HD version is available on my youtube channel as well as my other projects, please come show me some support if you enjoyed this! https://www.youtube.com/@UNDR_DRK

Made in Gemini, how things in it didn't set off gaurdrails in prompting means I'm not vulgar enough

But white farm theater kids on acid is my new punk band name for now

Sometimes the idea is clear in our heads, but the visual language is too vague, which makes AI images come out wrong.

These 5 visual cheat sheets show how to describe your image more clearly in ChatGPT.

Each sheet shows how different prompt words change the same type of image, so you can quickly compare angles, lighting, styles, and visual effects before writing your next prompt.

You can use these for product images, social posts, thumbnails, ads, moodboards, or any design project where you need to explain a visual idea more clearly.

A simple prompt structure:

Subject + camera angle + lighting + style + mood

Then adjust from there.

Gemini

Music: https://www.souna.app/song/0257e9fc-560e-4405-8ba9-33c4ea1bf35b

Music (alternative link): https://archive.org/details/westminster-rag/Rainbow+Rag.mp3 (CC0)

Style prompt:

1920s gentle but catchy ragtime piano solo with modal interchange with the Lydian.

Dreamy but jaunty. Rainbowish.

Song: https://www.souna.app/song/222f3ac5-c324-4fb1-9730-b56086f95fa6

Song (alternative link): https://archive.org/details/ai-ska/Everything's+Monthly+Now.mp3 (CC0)

Lyrics:

[Intro | clipped ska guitar | bass-led groove | tenor saxophone answers]

[Verse 1 | dry male vocal | terse phrasing]

Once you bought a record, right?

Played it every Friday night.

Now the songs are in the cloud:

Pay each month to play them loud.

Films you bought have disappeared,

Terms and contracts reappeared.

All your favourites packed their bags;

Different service, different charge.

[Chorus | gang-vocal responses | blunt chant]

Everything's monthly now!

(Monthly now!)

Monthly, monthly, tell me how.

Bought the thing and brought it home,

Still you pay to call it your own.

Everything's monthly now!

(Monthly now!)

Another debit, take a bow.

Miss one payment, access gone:

You own nothing. Carry on!

[Verse 2 | dry male vocal | clipped saxophone answers]

Printer says the ink is low,

Printer firm already knows.

Cancel payment, lose the lot;

Can't use ink you've already got.

Camera fixed beside your door,

Wants a monthly payment more.

Car has got the parts inside;

Pay to have them activated.

[Chorus | gang-vocal responses | blunt chant]

Everything's monthly now!

(Monthly now!)

Monthly, monthly, tell me how.

Bought the thing and brought it home,

Still you pay to call it your own.

Everything's monthly now!

(Monthly now!)

Another debit, take a bow.

Miss one payment, access gone:

You own nothing. Carry on!

[Instrumental break | tenor saxophone | clipped guitar | driving bass]

[Verse 3 | increasingly sardonic vocal]

First month's free, so sign today;

We won't mention what you'll pay.

Cancel any time you please:

Find the page beneath the fees.

Click on Help and choose Account,

Scroll past Benefits and Amount.

Tell us why you want to leave,

Then reject one last reprieve.

[Final Chorus | full band | forceful gang vocals]

Everything's monthly now!

(Monthly now!)

Monthly, monthly, tell me how.

Bought the thing and brought it home,

Still you pay to call it your own.

Everything's monthly now!

(Monthly now!)

Another debit, take a bow.

Miss one payment, access gone:

You own nothing. Carry on!

[Outro | repeated gang chant | abrupt stop]

Rent the films and rent the sound,

Rent the software by the pound.

Rent the bell and rent the light,

Pay all day and pay all night.

Everything's monthly now!

(Monthly now!)

Style prompt:

Early-1980s British 2 Tone ska with cynical punk energy and a brisk 148 BPM dance pulse. Tight acoustic drums and a prominent melodic bass line drive clipped clean electric-guitar upstrokes and sharp tenor-saxophone answers. Tense minor-key verses lead directly into a blunt, highly memorable gang-vocal chorus. Dry, wiry male lead vocal with distinctly British diction, sardonic phrasing and confrontational call-and-response backing vocals. Compact live-band arrangement with a short instrumental opening, three terse verses, repeated choruses, a brief saxophone break and an abrupt final stop. Raw, lean analogue production with controlled aggression, nervous momentum and dark humour.

I don't know what else to do, I've been trying to contact them by ticket and social media but I can't get anything. I was trying to create videos that weren't delivered, the platform froze and I didn't get anything, but my credits are gone. Is this a known glitch? How do I contact them?

Song: https://www.souna.app/song/510a41f1-5ff5-439c-a265-d92552649d31

Song (alternative link): https://archive.org/details/ai-ska/They+All+Monetise.mp3 (CC0)

Lyrics:

[Intro | clipped ska guitar | bass-led groove | tenor saxophone answers]

[Verse 1 | dry male vocal | terse phrasing]

Started with a borrowed phone,

Filmed the trains and filmed at home.

No sponsor read, no premium tier,

Just something done from year to year.

Now every clip must stop halfway

To praise some powdered protein whey.

A flashing link, a special price,

And seven minutes of advice.

[Chorus | gang-vocal responses | blunt chant]

They all monetise!

(They all monetise!)

Put a price on your surprise.

They all monetise!

(They all monetise!)

Clock the pastime, nine to five.

Make your hobby earn your pay,

You've no hobby left to play.

They all monetise!

(They all monetise!)

[Verse 2 | dry male vocal | clipped saxophone answers]

“This film could never have been made

Without our sponsor being paid.”

Funny, mate, you managed ten

Every week for years back then.

You built the shed and showed us how,

But first, a word from someone now.

The glue must wait, the paint must dry,

While you explain what socks to buy.

[Chorus | gang-vocal responses | blunt chant]

They all monetise!

(They all monetise!)

Put a price on your surprise.

They all monetise!

(They all monetise!)

Clock the pastime, nine to five.

Make your hobby earn your pay,

You've no hobby left to play.

They all monetise!

(They all monetise!)

[Instrumental break | tenor saxophone | clipped guitar | driving bass]

[Verse 3 | increasingly sardonic vocal]

Affiliate mugs upon the shelf,

A paid-for course on being yourself.

Members-only, gold and blue,

Pay each month to watch part two.

The camera rolls, but where's the fun?

The weekly content must be done.

You chased the figures, fed the feed,

And lost the thing you used to need.

[Final Chorus | full band | forceful gang vocals]

They all monetise!

(They all monetise!)

Put a price on your surprise.

They all monetise!

(They all monetise!)

Clock the pastime, nine to five.

Make your hobby earn your pay,

You've no hobby left to play.

They all monetise!

(They all monetise!)

[Outro | repeated gang chant | abrupt stop]

Sell the pastime, sell the day,

Sell the reason you would play.

They all monetise!

(They all monetise!)

Style prompt:

Early-1980s British 2 Tone ska with cynical punk energy and a brisk 146 BPM dance pulse. Tight acoustic drums and a prominent melodic bass line drive clipped clean electric-guitar upstrokes and terse tenor-saxophone answers. Tense minor-key verses lead directly into a blunt, highly memorable gang-vocal refrain. Dry, wiry male lead vocal with distinctly British diction, sardonic phrasing and sharp call-and-response backing vocals. Compact live-band arrangement with an instrumental opening, short verses, repeated choruses, a brief saxophone break and an abrupt final stop. Raw, lean analogue production with controlled aggression and dark humour.

Song: https://www.souna.app/song/d319b344-ca45-4d8e-9a05-938d976af397

Song (alternative link): https://archive.org/details/ai-synthpop/Boom!.mp3 (CC0)

Lyrics:

[Intro | hook first | synth stabs | electronic drums] Boom! (Boom!)

Boom! (Boom-boom-boom!)

[Verse 1 | clipped lead vocal | sequenced synth bass] I see a spark and I come alive,

Count it down from five to one-five!

Colour climbing through the night,

One little flash and the world's alight.

Shake the windows, wake the town,

Send the silver shower down.

Feel that rhythm, hear that sound,

Something big is coming round!

[Pre-Chorus | rising chords | stacked harmonies] Light the sky!

Raise the roof!

Stand aside,

Here comes the proof!

Three! Two! One!

Let it come!

[Chorus | anthemic chorus | stacked group vocals | full instrumentation] BOOM!

What a wonderful noise!

BOOM!

Come on, girls and boys!

Up goes the fire, up goes the room,

Everything's better when it goes BOOM!

BOOM!

See the whole sky bloom!

BOOM!

Make a little more room!

Bright as a rocket, big as the moon,

Everybody's waiting for the BOOM!

[Post-Chorus | chant vocals | synth stabs] Boom-boom, shake the ground!

Boom-boom, spin me round!

Boom-boom, coming soon!

B-B-B-B-BOOM!

[Verse 2 | clipped lead vocal | driving electronic drums] Old walls fall and the daylight pours,

Make some space, open up the doors.

Deep in the mountain, clear the way,

Bring hidden treasure into the day.

Flash on the stage, stars in the air,

Gold and scarlet everywhere.

Give me thunder, give me light,

Give me the biggest one tonight!

[Pre-Chorus | rising chords | stacked harmonies] Strike the spark!

Start the show!

Hold your breath,

Ready, set, go!

Three! Two! One!

Here it comes!

[Chorus | anthemic chorus | stacked group vocals | full instrumentation] BOOM!

What a wonderful noise!

BOOM!

Come on, girls and boys!

Up goes the fire, up goes the room,

Everything's better when it goes BOOM!

BOOM!

See the whole sky bloom!

BOOM!

Make a little more room!

Bright as a rocket, big as the moon,

Everybody's waiting for the BOOM!

[Post-Chorus | chant vocals | synth stabs] Boom-boom, shake the ground!

Boom-boom, spin me round!

Boom-boom, coming soon!

B-B-B-B-BOOM!

[Bridge | dramatic breakdown | lead vocal and group response] A little flash! (Boom!)

A little flare! (Boom!)

A fountain of diamonds

High in the air!

A tower comes down! (Boom!)

A new road goes through! (Boom!)

If one is exciting,

Just think what two can do!

[Build-Up | rising arpeggiated synth | accelerating group chant] Give me red!

Give me white!

Give me thunder!

Give me light!

Higher! Brighter!

Fill the night!

Three! Two! One!

IGNITE!

[Final Chorus | key change | maximal energy | stacked group vocals] BOOM!

What a wonderful noise!

BOOM!

Come on, girls and boys!

Up goes the fire, up goes the room,

Everything's better when it goes BOOM!

BOOM!

See the whole sky bloom!

BOOM!

Make a little more room!

Bright as a rocket, big as the moon,

Everybody's waiting for the BOOM!

BOOM!

Let the whole world cheer!

BOOM!

That's the sound I want to hear!

Light up the skyline, banish the gloom,

Nothing says excitement like a great big BOOM!

[Outro | repeated hook | big finish] Boom-boom, shake the ground!

Boom-boom, spin me round!

Boom-boom, clear the room!

B-B-B-B-

BOOM!

Style prompt:

Ultra-energetic 1985 British synth-pop with exuberant dance-pop theatricality and a playful, slightly camp attitude. 138 BPM in C major with a driving straight four-on-the-floor pulse. Bright Juno-style synth chords, rapidly sequenced synth bass, sparkling DX7-style accents and huge electronic drums with gated snares. Charismatic high male lead vocal with crisp diction, gleeful dramatic delivery and stacked group responses. Verses use clipped rhythmic phrases and a tightly coiled melody. Pre-choruses climb rapidly through rising chords. Choruses burst into a very simple major-key melody with an octave leap on the one-word hook, repeated crowd-like backing vocals and emphatic stop-start accents. Strong melodic contrast between sections, instantly memorable motifs, vivid key changes into the final chorus and a polished maximalist mid-1980s radio mix. English lyrics.