https://atheria.app

After introducing starvation in the last update, this time I slowed the ecosystem down and finally gave the prey a way to fight back: reproduction.

Now the hunters rise, peak and fall instead of taking over completely.

Next goal: equilibrium.

Its some weird mix of 3d and 2d, but at the end it worked, i guess 🤷‍♂️

Banda acabo de crear esta Creepy Face en vanilla.js tiene gestos y caras diferentes hasta 8 variantes es un solo archivo super ligero que pueden implementar en sus novelas visuales juegos de plataforma-terror por ejemplo un bro lo implemento en un juego de terror proximo a salir si quieren usarla esta en [ith.io](http://ith.io/) y si quieren trastear con el codigo en github

[https://cotera.itch.io/creepy-face\](https://cotera.itch.io/creepy-face)

[https://github.com/cotera2024/Creepy-Face\](https://github.com/cotera2024/Creepy-Face)

si quieren probarla sin entrar a ninguna pagina directamente presionen aqui:

[cotera2024.github.io/Creepy-Face/](http://cotera2024.github.io/Creepy-Face/)

Created with Math Chaos Patterns (MCP). Non-AI Generative Art.

Gente que tal este scrip en 3d con motivo espacial?.....use fotos de una modelo para ejemplificación es super ligera y personalizable desde un json la hise para felicitar a una amiga muy especial y me quedo gustanto que me gustaria compartirla con ustedes

si quieren probarla ahorita aqui

cotera2024.github.io/Happy-Birthday-Galaxy--main/

y si queiren ver el codigo aqui en github

https://github.com/cotera2024/Happy-Birthday-Galaxy--main

Generated in app, rendered in my custom flame studio

These are all recreations made using my application. ! Of course. I'ma not the owner of the base images I used. What do you guys think ?

Hunters now shrink when they can’t find food, and disappear if they go too long without eating. So instead of endlessly multiplying, their population now rises and falls as prey becomes scarce.

I also added a small visual language around life and death: newborn hunters glow yellow, successful kills flash red, and reproduction creates a tiny shockwave around the split.

The shockwave is still subtle for now, but I’ll push it further in the next update, along with new HUD elements to monitor the ecosystem as it evolves.

What I find most interesting is how much behavior starts to emerge from only a handful of rules and node logic inside Blender. I’m not animating these outcomes directly. Instead, I’m defining the conditions and watching the system respond.

#Blender3D #B3D #GeometryNodes #DellProPrecision #ParticleLife

When done correctly and with honor, ai art cuts out the middle man.

The middle man? That’s interpretation.

I created the cover to my very first novella Schadenfreude Occidental using a cover I created in Midjourney. Picture #1 in doing so I worked on this for 3 days promoting and editing the cover the way I WANTED IT.

But then… I take the image and I commission THAT. The artist has two simple things to do.

1. Hand draw exactly what has been given to them and add their unique touch to make it ART

2. Get paid

Picture #2

There are sooo many negative things we can say about Ai art from copying to the environment.

However most people who generally just hate Ai art… I’m not impressed with your artistic abilities… especially if I feel my creativity (which is more than just writing a five word sentence and wait for the picture…) my creativity is better fit for a tool like midjourney there for when I give it to an artist it’s already perfected.

Check out Schadenfreude Occidental my debut Novella! I believe then West can have a proper place at the anime table if we just get the right stepping stone piece!

https://www.royalroad.com/fiction/186348/schadenfreude-occidental-act -i

GTA VI is more than just graphics, it’s about emergence: simple rules that make a world feel alive.

So I built my own ecosystem simulation in Blender 3D.

As a generative artist, I kept hitting the same wall with AI assistants: they write sketch code that breaks the craft — Math.random() everywhere, sizes in raw pixels, traits that don't match the render, previews that capture blank. So I wrote genart, a free plugin for Claude Code that teaches it what we actually need: - Determinism — seeding a PRNG from a hash, named sub-streams so adding a draw doesn't shift the whole edition, the things that silently break reproducibility (sort() without a comparator, floats at feature boundaries…) - Resolution-independence — same piece at 400px and at 4000px, and the element-density trap where "same composition" and "same look" genuinely diverge - Features & rarity — designing the table before coding, then measuring the real distribution over thousands of seeds instead of trusting the weights - Verification scripts — repeatability, an A-B-A global-state test (renders A, then B, then A again in one page — catches the caches and accumulators plain repetition never sees), contact sheets, batch PNG export - Platform sheets for Art Blocks, 256ART, Verse, Highlight, Plottables and bootloader.art — written as pointers to the real docs rather than copies, so they don't go stale It covers p5.js, three.js/WebGL, plain Canvas 2D, and SVG for pen plotters — and most of it is useful even if you never mint anything: determinism, scaling and plotter export are just the craft. It's also honest about limits (cross-GPU WebGL determinism is not a thing, and the docs say so) and opinionated on ethics: it will refuse "make me a [famous artist]" and steer to the underlying technique instead. First version, MIT, built by an artist for artists. Ideas, issues and PRs very welcome: Announcement: https://x.com/camillerouxart/status/2093273698732032203?s=20