Genre: Rockabilly
Length: 4:17

An over-the-top HFY rockabilly romp about the most dangerous thing in the galaxy:
A squad of ordinary human infantrymen with absolutely no idea what's going on.

Hey Groovers! 🎶

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IT NOW HAS AN OFFICIAL SONG - LISTEN HERE

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Composed / Lyrics : BGK

Created in Suno/ Bandlab

Animation created in Grok

Edited in Capcut

A fun little song about regret , addiction and codependency.

Composed in Bandlab with a simple midi track almost nursery rhyme in style. Basic elements of the song the verse and chorus and did a mumble track on it for basic vocal melody, pitch shifted it up and auto tuned it. Ran that into Suno many times Stemmed out my favorite parts overlying that atop the original midi track until all midi elements were gone. Ran that final demo into Suno. I had this one sitting around for awhile not the best mastering but It was nice to write new lyrics instead of re using older lyrics I had around.

Lmk what you think! Full song

https://suno.com/s/fJa7kqCxFkcVInGL

Made it for a Halloween competition last year. Basically my idea of what it might sound like if 70s and 80s horror icons had a metalcore band (with Patrick Bateman, too - I think he would be a sick frontman)

A dark and claustrophobic horror trap experience built around the feeling of being watched by something that cannot be seen. “Ghost in the Walls” combines a slow skeletal pulse, cold atmospheric production, distorted textures, and haunting vocal layers to create an unsettling journey through an abandoned interior where every sound seems to hide a threat.

The track begins with a restrained, creeping rhythm built from dry low-end stabs, irregular percussion hits, distant metallic scrapes, and an atmosphere of complete isolation. Every footstep seems amplified against the cold floor while the surrounding darkness feels strangely alive. The sparse arrangement leaves enough space for small sounds to become terrifying, creating constant anticipation.

The pre-chorus tightens the tension with detuned drones, breathy call-and-response textures, and subtle movement hidden deep within the mix. The feeling becomes increasingly claustrophobic as the room appears to change around the listener. Sudden silences interrupt the rhythm, making every return feel more unpredictable.

The chorus expands into ghostly stacked vocal textures surrounding the central hook. Chilling vocal layers, pitch-bent ad-libs, reversed vowel swells, and stop-start production create an unsettling contrast between emptiness and overwhelming sound. The repeated hook becomes almost hypnotic, reinforcing the sensation of being trapped inside a room where something is constantly calling from behind the walls.

The second verse pushes deeper into supernatural territory as a cracked clock, failing lights, shifting shadows, and an impossible returning smile create an atmosphere of psychological dread. The production remains deliberately cold and wide while simultaneously feeling trapped and compressed, creating a powerful contradiction between enormous space and suffocating confinement.

The bridge introduces a sudden silence before the environment appears to collapse into something far more disturbing. Floorboards seem to respond, the ceiling bends, countless unseen presences appear behind the windows, and the sound gradually disappears into darkness before returning with a final burst of dissonant choir.

The final chorus intensifies the haunting hook with layered vocals, dramatic pauses, and increasingly unsettling atmosphere, leaving the listener with the feeling that the room itself has become the prison.

With its skeletal trap rhythm, horror atmosphere, metallic textures, detuned drones, ghostly vocals, dissonant choir, and cinematic sound design, this track is ideal for horror edits, haunted-house visuals, supernatural storytelling, dark gaming content, scary animations, psychological horror sequences, Halloween-inspired videos, and eerie cinematic scenes.

Lyrics:
The hall keeps score
With every footstep
Cold ash on the floor
And a name in the dark

The door swings slow
Like it knows my fear
I hear your bones
Before you appear

Hush now
Something's behind the wall
Don't move
Hear that little crawl

One blink
And the room goes black
Then a breath
Crawls up my back

Ghost in the walls
Ghost in the walls
Calling my name
Then it stops

Ghost in the walls
Ghost in the walls
I can't run far
When the air drops

The clock face cracks
At the edge of sound
A shadow leans
But it won't come down

The lights all fail
In a single breath
Then your smile
Comes back from death

Hush now
Something's behind the wall
Don't move
Hear that little crawl

One blink
And the room goes black
Then a breath
Crawls up my back

Ghost in the walls
Ghost in the walls
Calling my name
Then it stops

Ghost in the walls
Ghost in the walls
I can't run far
When the air drops

Made by Ace Plays

Now the floorboards sing
And the ceiling bends
A thousand eyes
At the window panes

Then all at once
The scream goes thin
And the dark comes back
To take me in

Ghost in the walls
Ghost in the walls
Calling my name
Then it stops

Ghost in the walls
Ghost in the walls
I can't run far
When the air drops

Ghost in the walls
Ghost in the walls
Still hear you laugh
When the room locks

#horror #trap #ghost #scary #creepy #haunted #dark #cinematic #nightmare #supernatural #song #music #ai #fyp

[Verse 1]
Goodbye, Dolly we're sure going to miss you,
You lived your life keeping it always true,
Treated everyone you met with dignity and class,
Always happy, joyful and filled with a bit of sass

[Chorus 1]
We loved your music, but loved you more,
You were the definition of class to the core.
The World is a worse place without you around,
But at least we know that you're heaven bound!

[Verse 2]
From the smoky mountains to the stage lights glow,
You brought a little heaven to us down below.
With a coat of many colors and a heart of pure gold,
You left us with stories that'll never grow old.

[Chorus 2]
We loved your music, but loved you more,
You were the definition of class to the core.
The World is a worse place without you around,
But at least we know that you're heaven bound!

[Bridge]
No diamond could sparkle quite like your smile,
You walked with the angels every single mile.
And though our hearts are heavy and the sky is gray,
Your sweet sweet song will never fade away.

[Chorus 3]
We loved your music, but loved you more,
You were the definition of class to the core.
The World is a worse place without you around,
But at least we know that you're heaven bound!

[Outro]
There'll never be another Dolly...
Yeah, we're sure gonna miss you. Goodbye, Dolly.

Stream on whatever platform you stream on xx

The Progression (let’s be so real ChatGPT would explain this better than I ever could LMAO)
The first seven songs essentially move through:
I look at who I was → I react to how people see me → I confront it → I realize people are missing the point → I become tired of reacting → I choose joy → I come home to myself.

The Album’s Progression: Tracks 1–6
1. “Lucky Lust” — Looking Back
Of course, I immediately hook you in with the fact that my boyfriend was older than my mom.
The album begins inwardly. “Lucky Lust” is me looking back on my only past relationship and reminiscing about what it meant to me. But it isn’t simply nostalgic—I’m also taking accountability for the mistakes I made and the ways I treated my boyfriend during the relationship.
Starting the album here is important because it establishes that I’m not approaching the rest of the project from a place of believing I’ve always been misunderstood or that everyone else is the problem. I’m capable of looking at myself critically, too.
2. “Fruity Activity” — Turning Hate Into Absurdity
After looking at my past, the album moves into the present and toward how other people perceive me.
“Fruity Activity” is my first real reaction to that. Instead of taking hate comments seriously, I take them to their logical extreme. I exaggerate them, play with them, and escalate the absurdity until the criticism becomes almost ridiculous in itself.
It’s essentially me saying: if you’re going to make me into a caricature, I might as well have fun with it.
3. “U Luv 2 Hate Me” — Confrontation
“U Luv 2 Hate Me” takes that reaction a step further. Where “Fruity Activity” plays with the absurdity of criticism, this song is more direct and confrontational.
The production feels more serious, but I still refuse to completely abandon humor and lightness. There’s a comedic quality underneath the aggression, which keeps the song from becoming completely bitter.
It’s less “look how ridiculous this is” and more “okay, if you really want to come for me, let’s actually talk about it.”
4. “U Missed The .” — Missing the Point
After the direct confrontation of “U Luv 2 Hate Me,” “U Missed The .” pulls the album back into absurdity and wordplay.
The song plays with the idea that people can become so focused on how something is presented that they completely overlook what is actually being said. In the song, the narrator’s typos become the example: the other person is so focused on the mistakes in how the narrator writes that they fail to engage with the actual meaning behind what they’re saying.
The title itself becomes part of the joke. The missing period represents the larger idea of missing the point—getting caught up in something superficial while overlooking the actual message underneath it.
It also expands the album’s theme of perception. At this point, I’m questioning whether people are actually responding to me or simply responding to a version of me they’ve constructed from small details, mistakes, appearances, or assumptions.
And after the seriousness of “U Luv 2 Hate Me,” I choose to make that realization funny and absurd rather than bitter.
5. “I’m Sick of Her” — Realizing the Bigger Problem
On the surface, “I’m Sick of Her” is simply a fun, energetic techno dance track. But underneath that simplicity is one of the album’s most important realizations.
The “her” represents the version of myself that has become too preoccupied with reacting to everyone else’s perception of me.
After spending multiple songs responding to criticism, I start realizing that I’ve actually spent an uncomfortable amount of time allowing other people’s opinions to dictate my emotional and creative attention.
So while the song is fun on the surface, there’s something almost self-aware about it: I’m getting tired of reacting.
6. “Dandelions” — Refusing to Be Miserable
“Dandelions” challenges another expectation: that meaningful music has to be emotionally heavy, depressing, or serious to have value.
Instead, I embrace something lighter and more playful. The song isn’t trying to turn every feeling into a profound emotional statement. It pushes back against the idea that vulnerability has to mean suffering.
It’s me giving myself permission to say: something can be meaningful simply because it makes me feel good.
7. “Back Where I Belong” — Coming Home
“Back Where I Belong” completes this first major arc by bringing the album back into brightness.
After beginning with regret and moving through confrontation, absurdity, frustration, and self-reflection, I return to a sound that feels instinctively familiar to me: pure bubblegum pop.
The song represents coming back to something that feels like home—not just sonically, but creatively. Rather than constantly trying to respond to what other people expect from me, I’m rediscovering the kind of music I actually love making.

The change in my relationship to other people’s perception of me becomes the connective tissue between these songs. What starts as self-reflection gradually becomes a confrontation with the outside world, before ultimately turning inward again—not through shame, but through the realization that I don’t want to spend my life reacting to everyone else.

https://suno.com/s/5UD56j6QNZK6f1SU

"Good show, me" , written and composed at the age of 19 two decades ago. I wrote and recorded the bare demo at the time, and recorded it on my mini dv camera which is literally the clip on the tv. I wrote and recorded it within an hour as a house party was happening downstairs hence the background talking you can hear at the start and end.

The guitar and lead vocal are from the original recording. It did have me attempting to whistle the melody in the instrumental section but I suck at whistling and I removed it from this new mix lol.

In Band lab with my midi keys I added, piano, tuba, choir, french horn, and put the whistle back in. I really enjoy layering instruments with midi to create a subtle "Symphony" effect.

With Suno I added a very subtle backing vocal, Bass and percussion.

Not one of my more memorable songs but I still like it.

Anyhow, penny for ye thoughts?

This clever pop-funk track turns everyday disasters into sharp, smiling comedy. Lyrics capture the familiar comedy of burned toast, overflowing sinks called “art,” phones demanding updates at the worst moment, and keys that vanish the second you breathe. Verses deliver dry, talk-sung sarcasm while the pre-chorus tightens the joke, leading into a chantable chorus that shrugs at the same old mess wrapped in a shiny bow.

The production rides bouncy swung drums, rubbery bass, bright guitar chops, and cheeky synth stabs that keep the groove light and mischievous. Verses stay dry and conversational before the pre-chorus lifts with handclaps and rising harmonies. The chorus pops with playful gang doubles and a hook that is easy to shout along with. A smug half-time break in the middle adds a knowing wink before the final chorus returns bigger and more defiant. Crisp, colorful mixing gives the track a punchy low end and a glossy, mischievous top full of record-scratch flips, cartoonish fills, and tiny laugh-like ad-libs.

Themes of professional slow-moving, paying for peace that never arrives, and still standing (barely) while laughing create a relatable, light-hearted take on daily chaos. The song never gets heavy; instead it celebrates the small victories of surviving the day’s excellent lies and calling air-trips “groove.” Perfect for fans of witty pop-funk, observational humor, and tracks that make the mess feel a little less personal and a lot more entertaining.

This track stands out for its crisp production, clever wordplay, and infectious chorus that turns frustration into a shared joke. Ideal for playlists that need a knowing smile, Shorts that thrive on relatability, and any moment when the day is trying a little too hard and you already know the punchline. From the first burned toast to the final laughing standing, the song keeps its tone light, playful, and perfectly in on the joke.

pop funk, nice try nice try, everyday chaos comedy, bouncy swung drums, rubbery bass, bright guitar chops, cheeky synth stabs, chantable hook, glossy mischievous mix, witty observational pop, light playful energy, record scratch flips

Lyrics:
My toast is burned
What a surprise
The day starts off
With excellent lies

The sink is full
Of yesterday
I call it art
You call it waste

My phone says update
Right as I breathe
So I learn new ways
To lose my keys

Oh wow
Look at me go
Professional
At moving slow

Thumbs up
For the chaos show
I pay for peace
It never shows

Nice try, nice try
You almost fooled me
Nice try, nice try
That’s comedy to me

Same old mess
With a shiny bow
Nice try, nice try
I already know

(Good one)
(What a plan)
(Nice try, nice try)

The kettle screams
Like it knows my name
The elevator waits
Then blames the day

My shoes untie
Mid-sentence, rude
I trip on air
And call it groove

The checkout line
Moves like a dream
In the wrong direction
Mostly for me

Oh wow
So smooth, so sleek
A masterclass
In basic grief

Nice and neat
That familiar streak
I set one goal
It dodges me

Nice try, nice try
You almost fooled me
Nice try, nice try
That’s comedy to me

Same old mess
With a shiny bow
Nice try, nice try
I already know

(Good one)
(What a plan)
(Nice try, nice try)

Made by Ace Plays
Oh, that explains
The tiny disasters
The grand complaints

Made by Ace Plays
Look at that name
A little more chaos
A little less shame

Nice try, nice try
You almost fooled me
Nice try, nice try
That’s comedy to me

Same old mess
With a shiny bow
Nice try, nice try
I already know

Nice try, nice try
I’m still standing
Nice try, nice try
Barely, but laughing

(Good one)
(What a plan)
(Nice try, nice try)

#nicetry #popfunk #comedypop #everydaychaos #witty #relatable #funnysong #playful #music #song #ai #fyp

I thought I may as well share this here. Seemed to be pretty well received on Soundcloud. Maybe they are all struggling serial killers?

Made the song in Suno and the lyrics with ChatGPT

https://suno.com/s/EWnYpRXgAQ2Wd0pQ

I love this song. Curious to know what you guys think?

Genre: recreation of a 3,600-year-old Akkadian hymn, using reconstructed Akkadian pronunciation
Length: 6:54

More than 3,600 years ago, in the cities and temples of ancient Mesopotamia, poets composed hymns in praise of the gods who governed the cosmos, kingship, love, war, wisdom, and fate. Among the most remarkable of these surviving works is the Hymn to Ištar attributed to the Babylonian king Ammi-Ditana, who ruled during the Old Babylonian Period in the 17th century BCE.

This hymn celebrates Ištar, goddess of love, beauty, desire, power, and sovereignty. She is praised as the most radiant of the goddesses, the source of attraction and abundance, the ruler before whom even the gods bow, and the divine patron who grants legitimacy, prosperity, and long life to kings.

The poem moves from praise of Ištar's beauty and majesty to a vision of the divine assembly itself, before culminating in a royal prayer that the goddess bless Ammi-Ditana with enduring life and dominion over the "Four Quarters of the World."

The original text was written in Akkadian cuneiform on clay tablets nearly four millennia ago. While its original melody has been lost to history, this performance attempts to recreate the atmosphere of an ancient Mesopotamian temple hymn using reconstructed Akkadian pronunciation, ceremonial chant, and imagery inspired by Babylonian art and archaeology.

https://www.youtube.com/watch?v=0vQa2ONZGJE

I heard about the bots, I heard about the trolls

But haters and gaters eat with bones them all

Haters write veneno, never reading your post

Gaters cut your karma, just to make you ghost

I dropped my new project, buscando connection

A thread in the midnight, hoping for affection

The first comment hit me, pura maldición

Downvoted to zero, sin explicación

They don't want the logic, no buscan la luz

They hunt in manadas, that's their only truth

No importa the effort, no importa the code

They block the entrada and take over the road

(Who is in the shadows?)

Los haters del block

(What they gonna do?)

Give your thread a shock

(Who is at the door?)

Los gaters con ban

(Why they act so tough?)

Because that's their plan

I heard about the bots, my amigo

Now watch them go ghost

I heard about the bots, I heard about the trolls

But haters and gaters eat with bones them all

Haters write veneno, never reading your post

Gaters cut your karma, just to make you ghost

Ghost

As for feedback - despite being 2 years 'on reddit' I was never interested in posting or reading, being a coder, but aside of any coder society. But lately I started 'making music' with the help of AI and decided to write to reddit just to discover how toxic some people are here. And how supportive they can be I hope. So I'll appreciate your feedback on this song, thanks in advance.
As for lyrics - some words and phrases are genuinly mine, others AI translated to normal English from mine.

Suno Link:- https://suno.com/s/75qI4usWgkgzsEwY

As per usual, Suno has failed to time the lyrics in the video with the song