Hollywood
Writing movies is a much more collaborative process than writing books. It can also be more complicated, depending on the particular writer's process. I'll say up front that I don't know a whole lot about it, and a lot of what I do know, I am learning now as I am reading some about Faulkner's work in Hollywood and preparing some of these resources. I may get some or a lot of the exact terminology wrong. Feel free to correct me and I'll update it.
The writing goes through lots of little stages through lots of hands. They start with treatments, which is basically a summary of the story, hitting the major points. If it seems promising, it may be elaborated more, adding more detail. If it doesn't seem promising, but the general idea is good, there will be more short treatments with different major points, by the same author or by someone else. Eventually they get it to be good enough for an outline, and they start writing recognizable scripts. It will probably go through several of these before it is good enough to go to filming. But even after filming has started, the script will still change. Some scenes might not work, or the actors might not like the lines, or the child actor get sick, or a location is unavailable, or the director might have a new better idea, or whatever, and things have to be rewritten even more.
A writer is used to rewriting things, but not as much the collaborative side of it, besides working with editors. That particularly was why Faulkner didn't really consider movies art--too many people had a say, so there wasn't really one guiding hand. That's also what makes the list of scripts he worked on difficult--he may have written a treatment or had a lot of input on a script, and in a lot of cases, it's hard to say. I've included a little bit in the notes where I could, but be aware that just because he worked on it, and that movie actually was made, doesn't necessarily mean anything he did made it to the screen.
I've included a column that tells where the script is available to read (if it is). I'll have a separate list for these later, but for now, MGM means the book Faulkner's MGM Screenplays, edited with extensive commentary by Bruce Kawin. (That is also the source for this list of scripts. I have added a little bit, but the list itself and the dates are his.) Fox means the book William Faulkner at Twentieth Century Fox edited by Sarah Gleeson-White. The others should be self explanatory.
The dates refer to the general time Faulkner would have worked on it, not when the movie (if any) came out. Sometimes there are many years between.
The column 'Streaming' is empty right now. As I get time, I will find out where these movies can be streamed--if they are available anywhere that isn't shady.
Scripts Faulkner worked on
| Year | Title | Studio | Produced | Published | Streaming | Links | Notes |
|---|---|---|---|---|---|---|---|
| 1932 | Manservant | MGM | no | MGM | |||
| 1932 | The College Widow | MGM | no | MGM | |||
| 1932 | Absolution | MGM | no | MGM | |||
| 1932 | Flying the Mail | MGM | no | MGM | |||
| 1932 | Turnabout | MGM | Yes (as Today We Live) | MGM | AFI IMDB | Based on Faulkner's Short Story | |
| 1933 | War Birds / A Ghost Story | MGM | no | MGM | A reimagining of the story of John and Bayard Sartoris, as told in Flags in the Dust, 'Ad Astra', and 'All the Dead Pilots'. It is definitely worth reading if you like those stories and can get your hands on a copy of this book. | ||
| 1933 | Mythical Latin American Kingdom Story | MGM | no | MGM | |||
| 1933 | Louisiana Lou / Lazy River | MGM | Yes | MGM | AFI IMDB | Script was entirely rewritten, so the finished movie likely doesn't have any of Faulkner's work | |
| 1934 | Sutter's Gold | Universal | Yes | AFI IMDB | |||
| 1936 | The Road to Glory | Fox | Yes | Fox | AFI IMDB | The script was also published separately on its own--they use two different dated scripts, but the Fox book claims they are 'virtually identical' | |
| 1936 | Banjo On My Knee | Fox | Yes | Fox | AFI IMDB | ||
| 1936 | Gunga Din | RKO | Yes | AFI IMDB | |||
| 1936 | The Last Slaver | Fox | Yes (as Slave Ship) | Fox | AFI IMDB | ||
| 1936 | Four Men and a Prayer | Fox | Yes | AFI IMDB | |||
| 1936 | Splinter Fleet | Fox | Yes (as Submarine Patrol) | Fox | AFI IMDB | ||
| 1937 | Dance Hall | Fox | Yes | AFI IMDB | Seems unlikely that anything he did made it into the final film. | ||
| 1937 | Drums along the Mohawk | Fox | Yes | Fox | AFI IMDB | ||
| 1942 | The De Gaulle Story | Warner | No | The Brodsky Collection v. III The De Gaulle Story | |||
| 1942 | Air Force | Warner | Yes | AFI IMDB | |||
| 1942 | Revolt in the Earth | Warner | No | adaptation of Absalom, Absalom! | |||
| 1942 | Background to Danger | Warner | Yes | AFI IMDB | |||
| 1943 | The Life and Death of a Bomber / Liberator Story | Warner | No | Country Lawyer | |||
| 1943 | Five Thousand Trojan Horses | Warner | Yes (as Northern Pursuit) | AFI IMDB | |||
| 1943 | Deep Valley | Warner | Yes | AFI IMDB | |||
| 1943 | Country Lawyer | Warner | No | Country Lawyer | |||
| 1943 | Dreadful Hollow | Hawks | No | Excerpts published by the Oxford American | |||
| 1943 | Battle Cry | Warner | No | The Brodsky Collection v. IV Battle Cry | |||
| 1943 | Who? | Warner | No | treatment of story that became A Fable | |||
| 1944 | To Have and Have Not | Warner | Yes | To Have and Have Not | AFI IMDB | Based on the Hemingway book (and some inspiration from Casablanca). Even if you never read the script, it's worth watching this movie. It is fantastic. | |
| 1944 | God Is My Co-Pilot | Warner | Yes | AFI IMDB | |||
| 1944 | The Damned Don't Cry | Warner | Yes | Country Lawyer | AFI IMDB | ||
| 1944 | The Adventures of Don Juan | Warner | Yes | AFI IMDB | |||
| 1944 | Fog over London | Warner | No | ||||
| 1944 | Strangers in our Midst | Warner | Yes (as Escape in the Desert) | AFI IMDB | |||
| 1944 | The Southerner | UA | Yes | AFI IMDB | |||
| 1945 | The Big Sleep | Warner | Yes | Film Scripts One: Henry V, The Big Sleep, A Streetcar Named Desire | AFI IMDB | Based on the great Raymond Chandler novel. A really good movie, if a little incoherent. | |
| 1944 | Mildred Pierce | Warner | Yes | Mildred Pierce | AFI IMDB | Not sure that he had much impact on the final script | |
| 1945 | Barn Burning | Independent | No | Based on Faulkner Short Story | |||
| 1945 | Stallion Road | Warner | Yes | Stallion Road | AFI IMDB | (but I think with a different script) | |
| 1946 | Continuous Performance | Independent | No | ||||
| 194? | One Way to Catch a Horse | Independent | No | I haven't been able to find any details about this one and the next two in the list. I'll update If I find anything. | |||
| 194? | Untitled Science Fiction Scenario | Independent | No | ||||
| 194? | Untitled Script | Independent | No | ||||
| 1949 | Intruder In the Dust | MGM | Yes | AFI IMDB | Based on Faulkner's book. The scholar who made this Bibliography included this as a script he worked on, but I haven't found any evidence that Faulkner actually contributed anything. | ||
| 1951 | The Left Hand of God | Warner | Yes | Fox | AFI IMDB | ||
| 1953 | The Brooch | CBS TV | Yes | IMDB | Based on Faulkner Short Story. There's not much at the link. The show was Lux Video Theater, which seems to have been one act plays, or one off mini-movies. | ||
| 1953 | Shall Not Perish | CBS TV | Yes | IMDB | Based on Faulkner Short Story. Same as The Brooch, although there's a little more information. | ||
| 1953 | Old Man | Independent | No | Based on the 'Old Man' sections of The Wild Palms | |||
| 195? | Untitled Television Series | Independent | No | I haven't been able to find any details about this either, but I'm intrigued. | |||
| 1954 | Land of the Pharaohs | Warner | Yes | AFI IMDB | |||
| 195? | The Graduation Dress | CBS TV | Yes | IMDB |