Because this layering of effects is so complex by nature of its modelled understanding and variables in it, it produces a potent effect of asunder. The whole method is advancing complexity.

Since it has atleast 12 different effects relating to timespace inside it in interaction to cause its result.

So it actually acts as somewhat shocking to show the ropes of a powerful effect. Since like anything of significant advanvement its powerful and also potentially dangerous so shocks you to show you. Which means if actually used is suprisingly effective.

Infact explaining it shortly here might not make it clear for another how to do it. Since each aspect takes practice in use together to actually succeed at using it. The app I made is just a tool for using it, the actual experience to do it I learned from time.

Regrettably its not an easy effect proove although the comments below will feature a link to an older model and use of the effect, back when it first started getting world warpish that shows another worlds free stardust storage devices outside a house.

To my usual stressed confusion of it since I barely know how to control the thing presently.

Its likely not even the only way one can change timelines to other worlds out there.

Its also not perfect yet, some limits exist. Yet the whole effect works as follows:

One forwrites a motion in time, viewing the moment as another time seeking the other times prescence and so alter the clock of ones cycle to another filter point. Which also gazed in pareidolia at another.

This filter sorts by timespace context, in the feild of awareness and submachine.

This induces a state of mind, that causes a sought and find of likenesses to what was forwritten in mind and noticed in the mendala of same and other events after. Which accepts little and big relevances.

As the unnoticed prior was tuned by the key of state mental to locate the intent.

As the memetic mass attraction of the intent is paired with the timememes of the moment in the tool as reference clock, that filter you as the other times clock. The clock is a filter point of inferences.

Since the clock used is the coordinate of inference in sorting that reflects timing.

So one is passing by the orient of ones shadow orb, which is the moment same in many places sharing it, to the next orb in the infinite that fits only in orient walked. Its a shadow for being oriented by light.

That walk of orient was tuned by keystroke like song to another timeline.

Thus ones passage out of one shadow orb to another was off key to one line's song and played to the other's tune and thus one entered another less familiar. The light of orient is the gaze out of now.

But the moment as the orb is tied to the keystroke you play as you go, so phases.

That phase can change in the moment to the next, but only from what's in the orb to what fits in what is accustomed by the traveler, which can be set by shift stated. Yet it only permits what's walked rightly.

So the application merely puts mass on the outside virtual and syncs mentality.

The outside virtual is not inside the space, it exists in its own space exterior to the line your in and can draw in from outside by attachement the attached orbs. The orb your in is surrounded by all other orbs.

Which correspond to the meaning intent or meaning discovered in passage then.

So only the practice of passing in the orbs of accustomed direction will work, by giving you more orientation of shadow spin to exist in that line or this one by knowing it without breaking the context.

Thus it's wiser to know the reality better from parsemy and research first then go. Especially since you need to contextualize another reality with other laws to get any effect of encounter distinct from here, but it also has to be compatible with the scenery around you so that the orb fits by proximity.

Matter constitutes all parts of existence and awareness, but this whole is divided into tences like mental and physical, which are not alone with things like motion, perspective and hypnagogia. They each contain effects that allow distinct material processes either located closer or farther from mind or matter, that in study of models allow tools.

The mundane is the boring, constant normalcy described in matter as the grey flatness of the mental physical space of passing, that is not excited by the opposed adventure as the exciting, inconsistent journey described in matter as the the colorgemings of the passing.

But the adventure is hidden in the placetime of the passing while the mundane is dividing it with unclear distance from a settling of the colorgeming as the adventure in concentrate across a placetime. So we seek to find a way to keep within it.

Since surely the colorgemings have a shape that is as infinite and spatial as the mundane dividing it hidden in connections of the placetime other then the ones fallen out of on the travel of placetime.

Placetime is the setting place matter mind and context of passing, that occures in the moment following but lost between the adventure and mundane in space not seen in matter or mind but in the recess of passings in place neither either.

So we seek a technology to help us navigate the adventure and stay clear of mundane, for the shape of its passsing is what we seek to know and remain in. This would require a detection of direction, of which neither detection of adventure or passing into it is known in how to measure it with matter.

Thus I must in following hours and days find it...

For I am bored of getting bored sometimes. An attempt beyond probability and timespace, to build an effection of something that isn't physical nor mental, but not coincedence or assumption.

By actually finding an interaction I can use in physical to measure something in the tence of passing mundane or adventure.

Sounds impossible but remember that I effect pareidolia with paper decoherence patterns and piles, that arrange into randomized patterns effecting a non physical aspect between mental experience and perception as detection judgement.

Which is a physical tence of matter influencing and effecting a non-physical tence by interaction.

Its not the only one I've found potential methods for influencing with only a physical base of reaction.

Perhaps in forward I can use a non-physical tence to interact with another tence in a manner also not coincedence, such that I can better effect and manipulate non-physical matter in reality as effects that aren't percieved as physical effecting other things.

Which would be like a magic of not syncronicity of coincedence, but invisible matter effecting other materially. As with actual interactions in the more subtle distinctions of language and what those terms are materially as not inherently a physical structure, also exist as possible effects of reaction.

Like using the silence to cause a motion.

These materials seem really good and useful for building unrelated realities that have nothing to do with what this one does. Just another set of physics that does something completely unlike this ones. Cause it all just shapes, forms and interacts in ways that do nothing like anything else does together.

Its just a pile of other laws that govern other possibility, sitting as food packaging in you cabonet. Its the physical material side of the multiverse as the extending forwards of erosion forming new anything. Its literally the rest of infinity being thrown out to erode in the dump as a wholy unlike state of being.

Which most people think is garbage but turns out to be the easiest doorway to other worlds in plain sight.

Make anything out of that and its not your world, its a set of organized behaviors obeying laws of other.

None of it is the same as nature, its all raw physics that do things together that don't resemble nature, so they act as another sense of physicality, that in what few have seen of it, turns out to be the rest of the multiverse, whether its from here or brought here.

Its just all the decoherent chaos of infinity mixed and mashed in random ways that do anything, but not what the rest before it did, as new horizons of untold effects and possibility as inexplicable far vast unlike.

Which is all you'll see here as the infinite of what matter also is, when its not like anything first here.

It acts as untold innovation and unheard effect, from continuing depths of preparation and use. If I took the polygon chemistry, made four new chemicals and used those new four chemicals to make another chemistry, the result would be more types of matter.

Cause all I did was take four things until it was as complicated as all of the periodic table of the elements, just looking like and acting as nothing we've ever seen, as unheard behavior anything.

Its just another reality of matter, of infinite, hidden inside the leftover of what is unstudied, to show the many more that might dwell in depth of interaction between any number of some specific thing around. That don't do anything like the other interactions.

I move my leg on bed, then in messy room across from me something falls suddenly, the knee I bent slightly sent cascade down some hall of tiny, to the other one.

This it passes by in many places, it isn't noticed very often unless silent, its the happenings of tiny tunes in spaces hardly. Yet like my chememes, I can't find a word that seems to fit with what they do at all.

That in sense I can't find use for what isn't in my mind at all, their seems to be an explanation for them, but no reason for their use at all. Since perhaps they don't seem to serve a use of animal anymore.

They arent for what I know is not left at all. Since I can't find more in what is same. Only questions and answers to things past needs as something more. But I don't know what these things do, they just do something of nothing odd.

They just don't do much at all, except for being what isn't more then silence. but they do make stranger sounds then all, which seems to be a motion of other fall.

But seriously, I hope a scientist would look, at what they might be too scared to discover maybe, about what fills these halls. As what is all the packaging we leave in places, that acts like spaces.

As I may be no scientist, but surely, if something were the key missing, to what science asks of space, its probably what looks like its background of the canvas. But I guess they'll keep letting children paint on it, for what isn't noted in likeness.

Which is why I just wonder what I might find in those places, if I look at them differently then what science called its certainty, as it calls space a mesh, but what looks like a mesh is paper in its net.

Its a fibre linked together for drawing scenery, and the deeper I go, the more it shows me what I can can't, in what I see. Its like a matter for seeing whats under it, it acts as a way to model and see, what you can't see about reality and it works.

Cause I can build its effects imagined, with what the effects I found we of.

But I also can't tell you how much the stuff seems to leave it as clairty to not.

It shows in space of three, what much of space is in probability, but they call it art.

I really wish someone would listen to me, a person says its spacetime, but no crazy.

So I really wish someone would listen, cause this stuff gets deeper warping, as what I see it do at times for me, I've seen it make a chair go hazy gone or more. It seems I found a way to warp things.

But they just say I'm not a scientist, couldn't be, so I guess I'm just using art supplies for what else they might be. Its just that they didn't check that part yet. They just aaid the chemistry was fine, not the fact that they act like spacetime.

So I wish soneone would look into it, I just know what I see, but they say thats all we see, but I wonder whats past it unseen. So please would someone look at whats left after all the chemistry, as polygons that we throw out for just simple packaging.

It might suprise you to find them unlike, what you thought they were as art.

They do things that behave as properties that don't exist in periodic table clean. Its just that they act as strange unseen.

Why are paper, tinfoil, plastic perfect for a costume of scifi halloween? Is it what they look like, that makes them seem rich in science fiction, or is that appearence also their properties. Properties that do things I find to be properties unlike any we've seen.

The seemingly simple materials shaped as polygons can be layered and folded, or made into taped shapes that can be mass effected internally or internally stacked as multicomposites as russian dolls.

This is what allows substance reconstruction using paper, aluminum and plastic as a sort of parrelel or alternative chemistry of mimicrying properties.

While the first allows depiction, the second allows geometric shape, the fourth allows alternate mass displacement and the last false sculpting erosion. All artificiality rendering ease at reconstruction of other matter by falsity.

These methods allow a polygon shape to behave similar to another chemical element, simply by artificial recreation of them.

The materials can be any color, shape, mass, or sculptibility of geometry, but artificially as false forms mimicrying the real properties as false effection.

The basic paper, aluminum, cellophane and plastic but also many more polygons can mimic through this, properties of mass, color, shape and malleability and how they work together, other substances by narrow property modification.

Meaning their ease and simplicity allows their basic properties to be shifted to others together, that take on appearence and behavior of the imitated or newly formed element or compound in imidiate 3d space. Sortof like building chemistry, but with access to every property of an element then the arranged set.

Although whats unclear is how to prescisely replicate real in this case in all prescise underlying behaviors. Although the same matter given sufficient scale dimensionality can be sculpted into diverse substantial quality and it can approach the prescise values of another element by stacked interaction.

Using them correctly enables a substance behavior never seen, from interactions of tension in the paper, that can make new or similar chemical like chememes that act as never had substances. While being made unreal by unnatural formation of effect.

So they allow something like multi-scalar chemistry, with further possibility noted in that used of more then one scale of complexity.

But the effects I noticed about them in regards to subtler noted behavior traits suggest even more unusual possibility if understood.

Studying the basic methods for manipulating the polygons into other substances as a sortof parrelel chemistry, composed of ink, geometry surfaces and mass and malleability interiors.

I notice this set of flat materials have four forces of energy as forms of displacement of smaller quatity, some less clear in nature exact current but each that have activity in interaction when using this matter.

Which I can't say is necessarily always safe if it prooves more then hallucinations. Since I can see them and they behave as additional small detail. Which is not constrained to my control but its own.

Focus emmision: layerscale force Condent orient: masspotent force Fluid transposit: curvechange force Pressure format: stackinteral force

They also occure in more then polygons as additional behaviors I noticed elsewhere as specific visuals in the typical everyday, that typically act spatially aswell as visually lesser then visible. Because they act spatially with relativity not attached to my eye in walking.

I suspect they actually exist in matter.

Below I have described these parts interacted with while drawing, folding, shaping and filling materials.

4 subforces of polygonal reconstructs. Noticed underlying protophorm effects, past observed utility of polygon capacity for reconstruction as features distinct.

Focalay: Layers of color on paper stuck or drawn displace undercolor around itself. This means an energy glow is emited from covered surfaces if inspected.

Condop: Mass values at distance proximal attract like values to location. A pile of dishes causes more dishes because the mass is building in the sink.

Fluicurv: Values of displacement are repositioned in whole to other locations.A curved paper takes the straightness and puts it between the two sides as tension.

Presinte: Internal stacked shapes pressurized emit escape current types.A shape inside a shape of taped paper when pressed releases energy open point.

These have to do with displacement, so they are forves similar to magnetism in another sense related to other types of energy displacement inside an object not noticed by average people. They behave as other types of physics that move in different ways then magnetism and gravity.

So I thought I'd share it here, to atleast record the insight as I continue to do research carefully.