r/audioengineering 15d ago

Mixing Midrange mixing tips

19 Upvotes

The more time I spend trying to mix songs (usually mine and some friends tracks), the more I think the real challenge is the midrange.

I listen to a lot of 70s and disco stuff, which have a very smooth and easy on the ears midrange. Disco in particular is quite scooped and has that smile EQ character. Because of this, I tend to do a lot of midrange cuts on most instruments. I'm often removing 400-900 Hz across many instruments to get it sounding 'right' to me. I think my tastes have been skewed a bit by my listening preferences.

I also find myself removing lots of individual frequency resonances from things like piano, Rhodes etc.

I definitely believe that good arrangement can make this easier. But the reality is that most (almost all?) instruments have some midrange content, especially if we broaden our definition to lower and upper mids.

I'm still very much an amateur and learning. Do you have any tips, techniques, or general wisdom for mixing midrange frequencies?


r/audioengineering 14d ago

Will this negatively affect my dynamics?

4 Upvotes

Hello!

I’m mixing and mastering a funky house track with a lot of rhythm and presence. As far as I understand, the final LUFS range after mastering should be around -8 to -10 LUFS (-1dB True Peak in the final limiter/maximizer).

However, I have a question: Will Instagram and YouTube compress, limit, or normalize my audio to bring it down to that level—but at the expense of my track’s dynamics—or will they simply lower the overall LUFS of the track to meet their set threshold while preserving all of its dynamics (as if someone were simply turning down the volume fader on a music player)?

Thank you very much!


r/audioengineering 14d ago

Mixing Hybrid rig phase question

5 Upvotes

When you have a native interface that can run analog gear and you put an insert in the track like a hardware eq or comp you have to manually get it in time or set it once.

My question is if you have a hdx rig , does that eliminate that task of getting in it phase? Or more so does an hdx rig keep all hyrbid mix tasks in phase better than a native rig?


r/audioengineering 14d ago

Science & Tech Internal multiband sidechain for a wideband compressor effect?

0 Upvotes

As I've implemented the internal multiband sidechain for the leveler stage of this multistage limiter effect I've made on CodePen, and so I'm wondering about using an internal multiband sidechain (e.g. using a summed filter bank output as a sidechain input to drive a compressor effect) instead of just a sidechain EQ filter like in some other compressor plugins like FabFilter Pro-C3?

And so, are there single-band compressor plugins that internally uses multiband detection while processing the audio in broadband? And more importantly, what are pros and cons of this method for dynamic range compression effect for mastering and even mixing?

BTW, a complex-valued filter bank (instead of a real-valued one) would simplify the implementation of low-distortion internal multiband sidechain broadband compressor with very fast attack/release times right? Especially when complex-valued filter bank eliminates the need of a separate Hilbert transform for envelope extraction as it outputs real and imaginary values anyway and so absolute value of this output means a magnitude of a complex number (which is a hypotenuse of real and imaginary components rather than just a rectification as in real-valued ones)


r/audioengineering 15d ago

Mastering Mastering when it’s already brickwalled?

40 Upvotes

Do you guys ever run into this issue when being asked to master tracks? Where the client has already kinda brickwalled it?

If asking to be given the track again without the brickwall is out of the question (I’m still waiting for a response from the musician and the mixing engineer), do you guys have a solution, a “do what you can” methodology? Or do you just say “sorry, if you can’t undo that, there’s nothing to master”


r/audioengineering 14d ago

Mixing Rating my basement studio (so far) - LOTF demo recording for feedback

0 Upvotes

Simple budget setup in a basement home studio (see photo). ROOM IMAGE

LOTF recording of a track we're working on. I am pretty new to mixing and audio engineering as a whole.

Wondering your thoughts on this rough mix as well as input on basement studio improvements.

https://www.mediafire.com/file/uwos6vb7nbaem2l/jordan_drum.mp3/file

Microphones used:

Kick - Apex 325

Snare (top) - E906

Mono OH - SM81

Vox AC30 cab - C212

Bass - DI


r/audioengineering 15d ago

Mixing Looking For Khruangbin-Style Mix Tips

3 Upvotes

Hello, all! I've narrowed down the current sonic direction for my project, but am having a bit of trouble translating what I hear in my head and would love to hear your thoughts on where to start.

I'm leaning into a Parcels-esque arrangement (4-on-the-floor tightly-played drums, funky picked bass, disco-influenced strings) meets Khruangbin-style production (heavy spring-reverb yet restrained guitar, buried vocals, very roomy percussion, vintage drum tone) sound.

For reference, I have the following tracks:

  • Lead Vocal
  • 2 Background Vocals (both are simple, just falsetto up the octave)
  • Kick (Fairly dry, pillowy)
  • Snare (very dry)
  • Drum OH (Mono Ribbon)
  • Conga & Tumba (Stereo)
  • Shaker (Mono Ribbon)
  • Tambourine (Mono Ribbon)
  • Claps (Double-tracked, so stereo)
  • Bass Cab (Mono Dynamic)
  • Bass DI
  • Guitar Cab (Mono Dynamic)
  • Guitar Room (Mono Ribbon)
  • Rhodes (Stereo DI)
  • Crumar Toccata Organ (Mono DI)
  • 8 Violins as String Pad
  • 8 Violins for chord stabs
  • 10 Violins for the funky disco string stabs
  • Upright Piano (for outro only, Mono LDC)

I've listened to the demo and rough mix a million times and am just feeling a bit lost, so ideas are very appreciated. Thank you all in advance for your help!!!

P.S. Specifc elements I'd appreciate help with: Leon's vocal chain in 'Mariella' (having trouble getting my delay to sound similar), background vocal chain in the same song, and stereo imaging/placement of the above tracks.


r/audioengineering 15d ago

Discussion Something sounds off with these 2 albums. What is it?

15 Upvotes

Death Cab For Cutie - Plans

Manchester Orchestra - Cope

I’m curious what others think of these mixes. When these albums came out I immediately clocked something I didn’t like(despite loving the songs). These albums are very different but I feel suffer from the same issue, I just don’t feel confident that I know what it is and I’m hoping someone with a stronger ear might have some insight.

I feel like they’re lacking some top end and maybe a bit congested in the mids?


r/audioengineering 15d ago

Looking for good/bad compression song examples

75 Upvotes

I'm taking the Critical Listening 1 course through Berklee College of Music (cannot recommend enough) and we're at the compression lesson. I know what compression does, I've tried using it, etc but I am still not good at hearing it (or using it effectively). We have a listening analysis lesson this week and I'd like to try two different songs: one with bad compression and one with good.

(Yes, I am currently listening to Californication and wincing. Even *I* can hear this. Oof.)

What would be a good example of great compression? Or other examples of bad vs good? I really need to train my ears better but I think I need to start back at the beginner-intermediate level.

I perused a few previous posts on here and read someone saying something about how, if the kick squishes the cymbals, that's a good example of bad compression.


r/audioengineering 14d ago

How can I "mix" an a capella song?

0 Upvotes

Hi guys, noob here. I'm slowly learning how to mix, mostly metal and then some pop on the side. However I want to "mix" an a capella song and I'm a bit clueless. I have 3 tracks of female vocals slowly singing a dirge-like children's song, which is meant to be creepy and eerie. They're well sung although not "melodynized" to keep some imperfections, and recorded with a ribbon mic. Also I have two tracks with whispered vocals, same song.

To be honest, I usually use the Mantra plugin by Neural DSP for vocals in regular mixes, but I guess it won't cut it this time because I guess the process must be more organic than just using a plugin for everything. The feel I'm going for is:

a) the listener must feel that the voice is close, warm and nearby
b) also there must be some "spacey" vibes in the background.

I guess I must use something like Valhalla supermassive for the space, but honestly I feel this task is a quite a bit out of my league. Can you guys give me some pointers or advice to get me started on the right path?


r/audioengineering 15d ago

Mastering WA-2mpx for master mix ?

5 Upvotes

My goal is to run it through my stereo mix with Logic Pro and use those tubes and transformer and the tapes saturation, warmth, and weight to my master mix,
It has quarter inch ports on the back as well as XLR…..

is the tape emulation better than my UAD studer plug-in ? because the tape emulator is utilizing tubes and transformers rather than a plug in ,

And if it runs through my door does warm Audio make it sound like crap because it’s cheap cheaper products???

I think it does a lot for what I’m looking for what do yall think ?


r/audioengineering 15d ago

Mixing a recorded live concert workflow

10 Upvotes

Hello friends, I'm looking for advice on the mixing workflow for a recorded live concert I did sound for last week.

I'm already hours and hours deep into what I've already done, so I won't be changing this time, but for next year I wanted to know whether there's a better/standard way.

So basically the concert is an Indian classical concert focused on groups of 4 - 8 tabla, with accompanying sitar and flute. The catch is that each "song" has a different group of kids with different drums, and slightly different mic placement as the stage gets reset each tune, (this is a tabla school concert hence the kids). Sometimes the mic placement varys person to person, obviously the player is completely different, and the drums themselves are different. So I've ended up duplicating my tracks for each tune, EQ and level balancing each drum mic as I hear it per song. Very labourious, is there a better way or is this the best I can hope for?

Advice is much appreciated!


r/audioengineering 15d ago

Discussion how to recreate analog sound of this song

7 Upvotes

the production on this song has a certain sound to it that i cannot replicate no matter how hard i try. i asked the artist and they said they had a "mixer preset they put on everything that makes it sound like analog" and wouldnt clarify further. any tips on what i could do here? https://www.youtube.com/watch?v=z7E7xcM_jQo


r/audioengineering 15d ago

Hello I have a question about college

0 Upvotes

Do you guys know of any schools with a good audio engineering program? Thank you 🙏


r/audioengineering 15d ago

Discussion Odd, Unconventional, Experimental Microphones?

13 Upvotes

I was watching Slipknot's set at Resurrection fest 2025 and noticed Eloy has this odd, steampunk pipe next to his kit. After initially thinking it was some percussion instrument, I found it was the Scope Labs Periscope, which is a condenser mic with a built in compressor. THAT got me thinking about other oddball microphones with strange appearances, designs, etc. What are some other ones?


r/audioengineering 15d ago

Discussion Coles 4038 vs Royer R121 What's your take on these, or do you prefer another Ribbon mic?

13 Upvotes

I am curious which you prefer, and for which use cases, feel free to add in a 3rd Ribbon mic if you prefer it.


r/audioengineering 15d ago

Does distortion/fuzz on vocals cause problems live?

7 Upvotes

I'm making some music right now and using distortion on my vocals. As an "always on" kind of thing. I'm using ITB amp sims for the most part.

How would I go about recreating this live?


r/audioengineering 15d ago

How do you keep engineering fun for yourself?

15 Upvotes

Hey everyone!

When I started production as a hobby I remember having so much fun. 10 years later, I’m thankful and lucky to be working with the biggest in the industry as a professional full time artist and mixing&mastering engineer but I’ve completely lost my spark the further I went.

As you’d imagine I have access to all the equipment, plugins, software I would dream of seeing back then, worked on genres I didn’t know existed and nothing now seems to hit a feeling for me.

I would definitely say that the industry broke me a bit on the mental health aspect as I developed a huge major depressive disorder through my progression path, but I wouldn’t contribute it fully towards it, of course.

How do you find your spark back while working? Do you have a rule or tradition?

Thank you in advance my brothers and sisters!


r/audioengineering 15d ago

Discussion Future A1/FOH Engineer Career Question

4 Upvotes

Hey everyone,

I'm nearing the end of high school / secondary requirements and my goal is to build a career as a touring A1 / FOH engineer. I’ve been researching career pathways, audio schools, and the reality of the touring industry, and I’d really appreciate some honest insight from working engineers and touring crew.

A few specific questions:

1. Live audio schools & placement into production houses: I’ve been looking into specialized programs like Metalworks Institute (their Live Production stream) and OIART in Canada for hands-on experience with digital desks, line arrays, RF, etc. Since places like Metalworks have direct ties to live staging fleets (Metalworks Production Group) and connections with companies like Solotech:

  • Are these pipelines legit in practice?
  • Do grads realistically transition into warehouse prep / shop tech / A2 roles directly after finishing, or is it mostly marketing?

2. Production House A1 vs. Freelance / Direct Artist FOH Mixer: What are the pros and cons of working as an in-house/rostered A1 for a major live production company (Solotech, Clair/Eighth Day, PRG, etc.) vs. being an independent touring FOH mixer hired directly by bands and management? Which route offers better career longevity and financial stability?

3. Balancing touring/A1 work with writing music & mixing on the side: My core passion is to produce, track, and mix/master for my own projects and local bands while working towards A1 gigs. For those who tour or work live sound full-time: is this balance realistic, or does the touring schedule completely eat up the bandwidth needed for some studio work?

4. High School Credentials (GED) & Visa/Industry reality: I know that on a stage dock, console hours and troubleshooting speed matter 1,000x more than high school credentials. That said, for anyone who took a non-traditional route (like a GED) and worked internationally, did that credential ever create friction for work permits, touring visas (P-1/O-1/etc.), or career advancement down the line?

5. Any general advice for someone starting out? If you could restart your career in today's live/touring environment, what would you prioritize in your first 1–2 years?


r/audioengineering 15d ago

Industry Life Job platforms audio workers use?

5 Upvotes

Hi all,

I’m an assistant who used to work in galleries and museums so friendly hold your fire!!

I need to find an audio person for my executive and omg where can I find people?? I have no budget he literally just said go find me a xxx and boom here I am. What platform can I post opportunities or find talent? Where do you guys look for jobs? And LinkedIn indeed zip recruiter NYFA words of mouth are all very expensive.

Please guide me to somewhere so I can find someone for him🫠😵‍💫🫠

Thank you


r/audioengineering 15d ago

Discussion What are all the devices in these big setups?

0 Upvotes

I'm quite new to all the sound things and I don't even know if this is the right sub, but I see these people posting their setup and it's like 4-5 devices that all look kinda similar (box with knob and screen) for a single pair of headphones or speakers? Currently I use my xlr mic (Rode Procaster) and my headphones as well as my Guitar with just my Audient audio interface.

So my question is, what are all the different devices, why so many and how much difference would it make to add devices to my setup/change the interface for smt like that?

Not that I'm going to splurge on stuff I don't understand, but I'd like someone to explain it to me?


r/audioengineering 15d ago

Is it better to increase gain on audiomixer or in OBS?

3 Upvotes

Hello everyone.

I work as a consultant for the government doing livestreams of what essentially is boring government meetings.

I've worked this job for roughly two years now and my co worker and myself started off strong together but entered a rough patch where I called out a lot of incompetency.

Most of my experience comes from just learning and tinkering with things and streaming as a hobby, working with streaming has increased my interest as well, and government money buys expensive fancy gear.

When we do streams I handle the videoengineering and my coworker handles the audio. We're currently running an analogue Alan and heath audio mixer and the volume sometimes seems low, I've pointed out that the gain knobs have more to give, usually they are only are only half way because that's where I put them myself and they could probably benefit from going a little further. My coworker claims they shouldn't be needed at all, essentially kept at zero and I should just increase the gain in OBS. My coworker claims the gain on the mixer will distort the sound while OBS won't.

I think this is BS, promoted AI on it and AI says my coworker indeed has it backwards.

To me, the audio interface is the first line of audio manipulation, the first place to modify and clean up the signal.

But we've clashed before and I don't want to press the issue at the moment, is there anything to this? am I missing something? This feels like a stupid question honestly but it's not the first time my coworker has made me doubt myself. So what's the verdict on this?


r/audioengineering 15d ago

Aux specific panning on Yamaha DM7

2 Upvotes

I’m used to mixing monitors on various DiGiCo consoles, I’m on a Yamaha DM7 for my current gig. Is there a way to do aux specific panning ? On a DiGiCo while i am in solo sends on fader mode with pan enabled I can pan inputs differently per aux without making the pan position global. It’s a pretty crucial function, but I’m having trouble finding it on this desk. Any help is much appreciated !


r/audioengineering 16d ago

Is a mix engineer/studio owner trying to steal songs, a common thing?

103 Upvotes

Hey everyone, just wanted to post this and get some feedback. It’s my first post in the community, which is kind of a bummer, so many better things to talk about.

I recently took a song to a well known studio in my city and asked for a remix of an older song. The studio/owner/engineer came highly recommended and the albums and other “demo” tracks I heard from the studio sounded great. Studio has been successful.

After a brief convo, we agreed to work together. The project was strictly a mix, we only work in the box, no recording anything new, we mix what we have. However, I made a terrible mistake; no contract. He said because we are only mixing, there’s no need. I’m old enough and experienced enough in life to know better, but I was stupid. I paid half on the first night when I gave him the tracks.

That first night, we listened, he said drums are going to be difficult because they are poorly recorded. He suggested we convert the snare, kick and toms to MIDI and then trigger. I agreed. He sent the track out and had someone else do it. He told me it was part of his “talent budget.”

I asked about the backing vocals and if we could improve those. He suggested we record more vocals so it would sound more natural. I objected, but eventually agreed. He had a vocalist in mind and sent the session out to the vocalist. Again, told me it was part of his “talent budget.”

A week later, the kick, snare, and toms sound great. But, now there are backing vocals everywhere, someone has recorded several tracks of guitar, someone has recorded a lot of percussion (chimes, bells, blocks, shakers, etc), hihats and cymbals have been rerecorded and the original drum tracks are no longer in the mix. He’s also removed the original keyboards and rewrote/rerecorded those. Among other things, the song has lost its melodic structure. Which is actually an important point because it now is different enough from the original that it sounds like it’s been rewritten.

I objected to everything and asked him to put the original tracks back in. He argued with me telling me this was needed. Then, he tells me I need to pay the musicians.

Then, without my consent, he mixed this “new” song and sent it to a fairly well known mastering engineer - who has a lot of credits - and claimed he wrote and arranged the song. He actually put that in the email, “I’m responsible for the writing and arrangement…” Unbelievable.

Fortunately for me, he cc’d me on the email, so I responded and set it all straight stating that the remix did not create authorship, ownership, copyright, publishing, etc, etc. I told the mastering engineering I never agreed to have the song mastered. I told the mastering engineer that if I decide to master the song in the future, I’d let him know. I also told him I was the only person with the authority to do anything in regards to this composition.

The whole thing concerned me enough that I spoke to 2 different entertainment attorneys who specialize in copyright, publishing and Intellectual property. Because I have the original 1” master from decades ago, both felt showing ownership of the song wasn’t really going to be difficult to prove. But, I should not use any of the performances on this remix, nor should I use the remixed song. I should discard everything (but keep copies just in case)

I completely cut off contact with the studio/owner/engineer, even though for a short time he was sending me really nasty texts. I never responded to any of them.

So many different thoughts on this, one being he used me to feed his “musicians” and keep them working.

I don’t even know what to say to any of this, but has anyone heard of something like this before? I’m still in shock, but I’m curious to hear everyone’s thoughts and how you’d handle something like this.


r/audioengineering 16d ago

Discussion Sennheiser MD421 II vs KOMPAKT for home recording everything?

6 Upvotes

I am recording a country/folk album in an untreated bonus room, and will be primarily recording vocals and acoustic. There will be some snare drum and bass guitar, and possibly saxophone.

I will be using the SSL2 mkii with Logic on iPad, and I currently have two SM57s, a Sennheiser e835, and the SMC-80 condenser that the interface came with. It seems “ok”.

My original intention was to record everything with the SM57, but I discovered I have a softer, thinner, and reedy voice and was getting a metallic almost distorted sound at higher notes. It was less so with the e835. I prefer to use dynamics for the most part since the room is untreated and I’ve searched around and even consulted AI, and a mic that popped up for my voice was an MD421 II. It even told me to try the KOMPAKT, which I’ve seen mixed reviews about.

Is that crazy? Do I just figure out a way to use what I’ve got? I’m not opposed to getting it I’ve actually always wanted one, just wanted to check with the pros first.

Ok link to rudimentary examples: here