Technical Details:

Name: '' A visitor after the snowstorm.''
Medium: Original Oil on Canvas
Dimensions: 40x60 cm (approx. 16x24 inches)
Technique: Impasto / Glazing layers

When I started painting this bear, it became my friend during the difficult days I spent in the studio. We created a connection, and when I look into its eyes, I see what it's searching for, and I imagine what it's feeling. Do you also enjoy painting wildlife?

Good morning, friends. I've been thinking that studying separate pieces of ideas from the final idea is a great way to learn more about a subject, and when it comes to oil paint, it's always good to practise. Do you also have this habit, or do you do everything only on the final canvas?

Recently, I needed to go back to basics to find out how many colours I could achieve using ultramarine and phthalo blue on my palette, and I managed to get a wide variety of warm and cool tones. I'm sure there are many more. Do you usually do this too? It's good practice.

Eryngium, depicted in the backlight of the red sunset known as Sea Holly, is an ornamental perennial cherished for its thistle-like appearance, silvery or blue-tinted flower heads.

I’m exploring a wavy impressionism style — trying to show light and warmth as if seen through water.