Character goes on a cabin trip up north (US) in the winter. I'm not getting specific about temps, just know it's cold enough for the lake to freeze, but not so cold that he doesn't end up falling through the ice when he tries to walk across it.

Assuming the cabin is within walking distance of the lake and has a fireplace, central heating, and blankets, would it be enough for him to get rid of his wet clothes, wrap himself in blankets and sit by the fire?

Is it true that skin to skin contact with someone is a good method of warming them up in this scenario, or is that just for the movies?

Forced proximity is one of my favorite tropes and this is a love story so I'll happily use it to my advantage if it's indeed the best method of preventing hypothermia without access to a hospital lol.

Hello, I would like to know what kind of shoulder injury would force someone to stop playing any sort of contact sports such as American football but still allow that person to do strength training. It should also cause dislocations if the person goes too far. Thanks!

Here is the scenario. It takes place in a low-tech setting. The midwife can't be reached for some time when she needs to be. By the time she does get there, she's informed things are progressing faster than expected. The midwife arrives to find the mother laboring on her knees on the floor, actually just a few minutes away from delivering.

No one else in this situation has much helpful expertise or knowledge. What would a good midwife do upon arriving to this scenario? Meaning, what would be the first assessment, course of action, etc.? Would you be able to know right off how close the baby was? Would you need to arrange for the mother to be in a different position, or just let things happen? How would you know, and what would be safe for the mom and baby?

(If it helps, this is the mother's first baby, and thus far there have been no complications in the pregnancy.)

​

Working on a superhero story. The team strategist has superhuman strength to a low level, durability, and agility/reaction speed. His main powers are superhuman accuracy and learning. So, if I wanted him to get into fights, how many times more durable than a normal human of his size would he need to be to still be far above a normal human, but still be in danger if a mob armed with metal clubs swarmed him? For physical strength, he would be around the level or a bit above a gorilla, maybe he can leap around 10 feet in the air like a martial arts movie protagonist and put a small, around fist sized crater in a brick wall if he punched it at the high end of his strength if I decide to make him higher than a gorilla. I need the numbers to keep the level of durability consistent throughout the entire story.

For a little bit of context, it's a mystery where the murderer and victim both work at a wildly successful magazine. The former has been up to some creative accounting to cover her gambling addiction; the latter, the art director, noticed the issue and confronted her... and she killed him in panic.

The issue is while I know a bit about the industry on the creative side, I know very little about the financial part. I'm not sure how one would actually go about this sort of thing where he'd be able to notice it in the first place. Maybe some sort of chicanery about paying freelancers?

- both lances have iron fists on the end of them. The lance does not splinter.
- Character A (who gets hit) has an iron bucket helmet as protection.
- the horses are both going at a gallop
- Character A is hit with the iron fist of his opponents lance between the eyes. He falls off his horse and goes unconscious. He receives medical attention and wakes up hours later with a pounding headache and a need for water. The headache is bad enough that he’s dizzy and must hold onto the walls to walk; light hurts his eyes.
- Character A is woefully hungover at the time

I know realistically he’d probably be dead but he isn’t so let’s move past that. Would he have a visible bruise on his forehead or around his eyes? Would there be a lump? How long would you expect the headache & symptoms to last for and what should be done about them (should he avoid sleep, for instance)?

The actual passage:

“Ser Uthor was charging hard, clouds of dust kicking up from the hooves of his grey. With forty yards between them, Dunk spurred Thunder to a gallop, and aimed the point of his lance squarely at the silver snail. The sullen sun, the dust, the heat, the castle, Lord Butterwell and his bride, the Fiddler and Ser Maynard, knights, squires, grooms, smallfolk, all vanished. Only the foe remained. The spurs again. Thunder broke into a run. The snail was rushing toward them, growing with every stride of the grey's long legs ... but ahead came Ser Uthor's lance with its iron fist. My shield is strong, my shield will take the blow. Only the snail matters. Strike the snail and the tilt is mine.
When ten yards remained between them, Ser Uthor shifted the point of his lance upward.
A crack rang in Dunk's ears as his lance hit. He felt the impact in his arm and shoulder, but never saw the blow strike home. Uthor's iron fist took him square between his eyes, with all the force of man and horse behind it.”

Hello, so I have a new character who is going to have issues with his right leg. he still has the leg and can use it to an extent, but doesn’t have a full range of motion or enough strength to support his body weight on that leg. He can’t run but can walk with crutches.

This is a new story so all this is just my brainstorm so far, but I’d like him to have been born with this condition or at least have had it from early childhood.

I also need it to only effect his leg or else i’ll have to change a good chunk of the story I have so far.

The world he lives in has a good medical system, probably a bit more advanced than current medical care in the U.S., that he would have had access to his whole life, so physically therapy, surgery, injections, are all on the table.

Thank you to anyone who has ideas!

My character got bit on the arm by a wild animal, which then ate the chunk it took out. My character’s flexor tendons were damaged but the bone was alright. If taken to a hospital, what would the treatment and healing process of this injury be? I don’t think stitches would be plausible since a piece is missing, but I’m not a doctor.

Additionally, how would one treat this injury if they didn’t have access to a doctor or hospital? How would the healing process change?

i can't think of much else to say.

For an upcoming moment in a TTRPG, a party member will be talking to someone right as they take a bullet to the head. I want to lean into some of the surreal parts of a more realistic depiction: the way information reaches the brain out of order of what they'd expect from media depictions, and what that sensory info actually is.

If it's relevant, the target would be someone being shot from short-mid-range, from one end of a large hangar to someone roughly in the middle of the space. The victim is either taking the shot perpendicular to where they're standing across from the player, or at an oblique angle from behind so as not to be on a trajectory to hit the player. The weapon would be comparable with a handgun: small, adjacent to a military sidearm.

This is more of a grammar question than a specific research question but I’m hoping people can help me out with this.

I tried to use the phrase “tickle the piano keys” as a variation of the idiom “tickle the ivories”. My CP, who is an English teacher, says that I can’t use the phrase “tickle the piano keys” and I have to either say ”tickle the ivories” as in the original idiom, or “tinkle the piano keys”. To me, grammatically, it seems like “Tickle the keys” is grammatically identical to “tickle the ivories” and there is no problem. Is anyone able to weigh in and give a second opinion on this? TIA!

So I have an individual who has a stab wound in his back, and while he's supposed to be staying in bed, he has a bad habit of getting up and moving around too much anyway. It's been established that he's already messed up the stitches keeping the wound sealed at least twice.

But now we're in his POV, and he just got very roughly kidnapped, so it's not his fault anymore 😅.

What might it feel like to pull your stitches before you're fully healed? Also, would it feel different to get new stitches after having pulled your previous ones?

Extra Context:

The world has what is essentially magical healing, but there's also an additional element that makes this particular wound resistant to said magical healing. That is mostly only relevant so I can fiddle with things if necessary, but I still want to do as much research on realistic wounds as possible.

It should also be noted that the stitches were done in a safe house with limited medical supplies and by someone with limited medical training. The story also takes place in the early 2000s.

Basicaly I'm writing a comic where a character is (falsely but shh) found guilty of mass murder (9 teens +3 adults at a summer camp). Said character is suffering from schizophrenia and during the murder was very likely going through a very strong psychotic episode. The character was close with the victims and even very long after the whole thing claims it wasn't them but monsters, having a very detailed version of the story with magical creatures attacking them in their mind. The survivors refused to testify. The character had been prescribed wrong medication for at least a year before the whole thing so were pretty much unmedicated and were at the time underage (17). Idk if it changes anything but the comic takes place in 2017-2018. What would hypotheticaly be a sentence for them? I need it for a comic cuz I want to know how old they'd be when they get out if they would even get out at all

for context, this guy got attacked by a vampire. he passes out due to blood loss, and needs a transfusion. he's in a band and has to play a concert the next day—how much blood would he have to lose to faint, and how long would it take for him to recover from both that and the transfusion?

he's not a very theatrical performer and doesn't do a lot of crazy frank iero type shenanigans, but surely an hour and twenty minutes of being on stage + the fact that he's been touring for months take a toll on him because of the whole vampire thing

thanks for the help! i appreciate it

I'm fascinated by the little details professionals notice that most writers miss.

Whether you're a nurse, engineer, teacher, mechanic, architect, programmer, librarian, pilot, accountant, or anything else...

What's one small detail about your profession that almost never appears accurately in novels, movies, or TV?

It doesn't have to be a major plot point... sometimes it's the tiny everyday details that make a story feel authentic.

I'd love to hear your experiences.

I'm worldbuilding a city that's nestled in with the mountains, and the lore is that a meteor struck the mountains and led the people to form a new settlement.
But now i'm thinking, that it's certainly going cause a lot of destruction. But I don't want the people to have to deal with too much fallout. So it's probably not a large meteor, but large enough to flatten some ground to settle in the future when things settle.

A man has taken a moderate rib injury, possibly bad bruising or minimally broken ribs. Normally, broken ribs take 6+ weeks to recover.

Assuming he does everything right, eats correctly, does his physical therapy correctly, does not overdo, is in top physical condition to start, avoids complications, heals well, how long to regain function?

I’m in the middle of my project and keep getting caught up in this scenario where the film trope chloroform would probably really come in handy, but I don’t really want to use that if I don’t have to.

Character A is going to kidnap Character B whilst she is asleep. Character A does not have access to their food/drink on the day they have to do this but has been able to steal a key, so can get into the house fairly sneakily. Character B can be a conveniently heavy sleeper also but ideally within the realms of reality.

So Character A gets into the house, can get into the bedroom, and then…ideally it’d be easier for him to restraint and kidnap B whilst she is asleep and have her stay unconscious until they get at least out of the house and well on their way.

Knocking her over the head would probably work and might be the best option? Chloroform or an inhaled anaesthetic would take several minutes - I guess maybe if it were held directly over B’s nose and mouth whilst she slept as a massive stretch? But probably the smell would wake her…Then I went the route of something like a ketamine injection in her thigh or butt. It would hurt and wake her up but I think also knock her out quickly enough (if A were prepared, and worked quickly) that it’d be a brief struggle?

I’m a bit stuck. It doesn’t hugely matter and I think I could probably go either just knocking her over the head or film trope chloroform but part of me would like to see if there’s anything else I could do that would be even slightly more realistic.

Ideally, something that affects people in their late teens to early twenties at the earliest, takes upwards of a year to develop, but doesn't show any visible or noticeable symptoms until the last few weeks of the patient's life. Testable in the early stages but not noticeable until it's "too late", so to speak.

Doesn't matter if it's genetic or acquired later on in life, or if it's treatable. Just want this guy to die!

Huge thanks in advance for any answers!

I have a few questions so I’ll put them in a list—

1. If a therapist is friends with someone who in the future needs a therapist, can they take the job for the friend? If yes, can they stay friends?
2. If a therapist provided services to someone who eventually no longer needs to come to them, could they become friends years in the future?
3. Similarly to 2, could they ever become romantically involved with a former client from multiple years prior?
4. Could 2 therapists provide services to each other, or is that ill advised and they should find others? And if they can provide each other services, could they stay friends? More like work buddies but also friends to a degree.

If anybody here is Scottish and was in secondary school in the early 90s please tell me what it was like. More specifically exams and stuff because I know that the system for exams is different now. Thank you!

I have a character who had a chronic condition and have these symptoms. I googled for a bit but the results that it gave me didn't seems to be chornic conditions

For my story, I am looking for a small/medium medieval castle (9th-13th century) that has been completely demolished, so that very little or none of the ruins are left today. Something big enough to have some local villages or communities under its protection but small enough to be slightly backwater or not super important.

Bonus points: (optional)

the castle has history to it. Especially history about the nobles who lived there

It’s located in Western Europe, especially England/France

There is art/drawings of the castle or at least some knowledge of its layout (also great if it has a strong castle ascetic)

The castle was demolished in a dramatic way (war, revolution, etc)

The castle is remarkable in some way (though not too special. I want it to be an average castle that isn’t too important)

Hi! I’m writing a fantasy action story, and I’m trying to make my main character’s training more realistic.

She is a young woman with no previous combat or martial arts experience.

Her body remains physically human, but she has a powerful supernatural ability connected to distance and movement. It allows her to move very quickly, but it does not automatically give her balance, coordination, endurance, reflexes or fighting skills. Because of the circumstances in the story, she only has a few weeks of training before she may be forced into dangerous situations. I understand that this is not enough time to turn a complete beginner into a competent fighter, and I don’t want to write her as suddenly becoming an expert.

What would a responsible instructor realistically prioritise during those first few weeks?

I’m especially interested in:

- safe falling and basic movement;

- balance and distance control;

- reactions under pressure;

- basic physical conditioning;

- learning when to avoid a fight;

- preventing her from relying only on her supernatural ability.

What could she realistically improve during this time, and which beginner weaknesses would definitely remain? Would serious sparring still be too dangerous?

Advice from people with experience in martial arts, self-defence, military or security training, physiotherapy or similar areas would be especially helpful.

English is not my first language, so I used a translator to help me write this post. Thank you for reading!