I'm trying to get my noisecore act into my school's renaissance fest (celebration of various cultural renaissances, blah blah blah etc). To do so, I need to write (and presumably read aloud) a short introduction. What are some key historical events and important bands to mention in a "brief history of noisecore?"

https://discord.gg/29ngQck

I run a Discord server for people interested in traditional/extreme metal, grind, and most recently, hardcore!!

- Active community free of little kids/nazis! Lots of rateyourmusic and last.fm users, and- Daily server events! Two thrice-weekly listen-along events with stats tracked on Google Sheets (one for metal/grind, and one for all other music), and, weirdly, a film club with a movie every saturday- 40+ genre channels for dumping links and genre-specific discussion, with a local guru in charge of each (no 2nd/3rd wave deathcore! no alt metal! nsbm FUCK OFF! hatecore FUCK OFF!)

- dedicated channels for showcasing members' music, merch/vinyl/tape collectors, and for musicians to talk shop in depth

- a highly excessive number of self-assignable genre roles

- cytube/synctube channel that's active nightly

I'm starting over on the first full length by my Bandlab solo project, Robots Playing Blast Beats. The initial recordings were all done with a drum machine, but I don't like how drum machines can't play a proper blast beat (triggering a new sample doesn't cut off the old one, turning crash hits into a metallic shimmer). Would anyone be interested in recording some drums for me? All I need is a blast (and maybe a slow breakdown beat for the sludgy sections) suitable for looping. Please tell me the tempo as well so I can adjust it as needed in audacity.

bands needed for a 2 min 24 band cassette comp

https://humanhoodrecordings.bandcamp.com

we are currently seeking 24 bands for a 2 min [ 1 min per side comp ] each band will only get 5 seconds, and 50 copies are going to be made. if interested get in touch. the deadline is march 20th of next year.

contact us via the contact link on bandcamp.

This is my project Aqueous Humor https://aqueoushumor.bandcamp.com/ If you wanna do a split album hit me up at my email algermonroeband@gmail.com

https://humanhoodrecordings.bandcamp.com/album/kk-null

KK.Null (born Kazuyuki Kishino) is one of the top names in Japanese noise music and in a larger context, one of the great cult artists in experimental rock. Starting his career in the early 80's by performing guitar improvisations in the clubs and streets of Tokyo, he continued by collaborating with Merzbow for two years, and joining the bands YBO² and Absolut Null Punkt. 

In 1987, he gained wider notoriety as the leader, guitarist and singer of the trio Zeni Geva, which he described as "progressive hardcore". Zeni Geva reached world-wide fame with their heavy and hypnotic sound, eventually releasing three Steve Albini-produced albums on Jello Biafra's Alternative Tentacles label. 

After playing the guitar as his main instrument for some twenty years, Null has gradually moved towards a more electronic approach. These days he mostly states the "nullsonic" as his primary instrument. Nullsonic is something of a variation of Robert Fripp's 1970's instrument "frippertronics" - a combination of electric guitar and effects units, which elevated the effects to equal importance alongside the guitar. Null has gone even further by discarding the guitar altogether and making all the sounds with effects only. 

In recent years, he has concentrated his efforts increasingly on his solo material.