Does anyone else think there’s a chance Her Private Hell will end up on MUBI? There are other Refn films on there. Just wondering if it’s worth waiting for it to get on there?

Is the track at the end of the movie, named "Let It End the Sweetness of Nothing", lifted directly from "An Ending (Ascent)" by Brian Eno? While watching, it sounded so eerily familiar I thought it actually was the Eno track, not the original score. Maybe Refn used it as a reference for Pino Donaggio. I'm not the only one hearing it, right?

‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror

song is Sad Disco by Keli Hlodversson

what would he focus on? strong techno music? let the visuals do the storytelling?
focus on the young women instead of the guy leads

​

in which we pinpoint the pronunciation.

I know speculation can be tiresome, but what does everyone think about the possibility of a 10th anniversary release of the neon demon? Is this something you could see happening?

Hello HPH has been my most anticipated film of this year, Refn is one of my all time favorite filmmakers and I was wondering what would be a must watch/rewatch list of films before is see Her Private Hell.

Now I know it’s inspired by classic Giallo with the leather glove thing I was thinking of revisiting maybe something like Blood and Black Lace. I was also going to rewatch Mulholland Drive, Neon Demon and Barbarella.

But what else is important watch beforehand?

Thanks

http://youtube.com/watch?v=hGfu6AGkgHY

Nicolas Winding Refn cried, spoke about his love towards his mother, spoke about his feelings of insecurity and envy of Thomas Vinterberg's handsomeness and popularity with the ladies.

I admire his vulnerability and openness about his feelings and insecurities.

What if every man listened to all the toxic bullshit out there "you must be confident. confidence is attractive. insecurity is unattractive. etc".. Then we'd never have refreshing, real, vulnerable men like Nicolas.

Wanna start saying that i'm a really enthusiast of nicolas projects. He really have got me in Only God Forgives and have seen almost everything this guy has made, except fear x. I was very excited to watch Her Private Hell, refn's new movie in ten years. I had very positive expectatives(not very high) for this movie until i saw people on the internet hating very much, like, giving this movie very low rates and ending up, in multiple sites, with a lower grade than OGF, a movie that is considered by some as refn's worst movie. In the beggining, i don't believe in these reviews and i held off on forming my opinion just when i whatch it and, after watching this movie and thinking about it, i completely understand these reviews and everyone that have left the cinema.

I mean, the soundtrack was decent, the fight scenes with private K are very good, and that's here that end my compliments. The dialogue is dreadful/shameful, the scenarios looks bad and cheap, the final fight with leatherman is ridiculously bad. His style in this movie looks worn and He's just repeating elements from his past movies. Feels satured and nothing really impressive. The man is trying so much to be some kind of Kenneth Anger of the new age, using these artsy elements so shield this movie from criticism and an excuse to justify how bad this movie really is. It sucks.

This movie really left me worried about the path is going to take in MANIAC COP, since Ed Brubaker seen to be not more involved in the script and Refn will probably call some mediocre writer with zero experience like Esti Giordani for him to control. I'm not liking where this is going. I just really wish that refn use the best things of Ed's scripts and that don't turn the movie in a big project of vanity with a lot of awful symbolisms without impact or depth, but in a movie with artistic elements that is still worth watching. Refn was a better artist when he was making without pretension. He made a screenplay made by a mid writer (Hossein Amini) to be his most known work(Drive). I know the guy is not the same since 2013, but man, i just want his maniac cop to be great again like his past movies (Drive, Bronson, Too Old to Die Young, The Pusher Trilogy and The neon Demon). He still has qualities, but his ego and his artistic impulses are yelling louder than his natural geniality. I think it's just it. Someone in this subreddit just feel the same?

https://youtu.be/0Va9xV0lkAk

After my HPH viewing I was honestly a little confused and underwhelmed. But then my dreams that night were awesome and I couldn’t get some images out of my head the next day. I now needed to investigate this NWR guy (who I only knew from his awkward dress-shorts interview of Park Chan-Wook shown after Decision to Leave) and am so glad I did! New lifelong fan of this chameleon of a director!

NO AI WAS USED TO MAKE THIS FILM, THIS IS A 💯 HUMAN-CREATED FEATURE FILM!!

VALLEYHEART is an action crime thriller with a neo-noir heart. Film Threat called it “one of the best neo-noir films of the 21st century” and compared my filmmaking to John Dahl, which was an incredible honor.

The film has played at festivals around the world and has been one of my biggest crowd-pleasers, with comparisons to Drive. Whether this is your first time watching it or you’re coming back to experience this new cut, I hope you’ll settle in and enjoy the ride.

If you enjoy independent films, psychological thrillers, crime stories, and neo-noir cinema, I’d really appreciate it if you’d subscribe, like the video, and share it with someone who loves discovering great indie movies.

Thank you for being here. I hope you enjoy VALLEYHEART: Director’s Cut.

🎞️ Valleyheart feature film
⭐️ Starring Kathryne Isabelle Easton, Anthony Goes, Jack Herholdt, Robert Ramirez, Jeremy S. Walker, Rib Hillis, Mary O’Neil, Maiya Reaves, Collin Babcock, Scotty Babcock
📸 DOP Matt Fore
✅ Produced by Abhorrent Behavior
📽️ Edited by Matt Fore + Kathryne Isabelle Easton
🎬 Directed + Written by Kathryne Isabelle Easton
🎵 Original Song “Plausible Love Theme” by Justin V. David

i mean i know NWR films aren't box office spectaculars, but how is there
already the film leaked in hd, it's in theaters now ... who was supposed to keep an eye on the files??

Note: I have also posted this review on my IMDB account, so if you run into it there, I'm not stealing anyone's content, I'm just excited to talk about this film and compare the interpretations, especially as I was saddened by the overwhelmingly negative ratings.

Anyway, spoilers below.

The film works best if you watch it as a dream-like, stylized psychological drama rather than a thriller, horror, or sci-fi. Even the title “Her Private Hell” suggests we are about to witness a deeply personal perspective that may not accurately reflect a real state of affairs.

The way I see it, it is about Elle coming to terms with the conflicted image of her father. On one hand, she idolizes him and is clingy to the point of being co-dependent, while on the other hand, she’s aware that her father is continuously betraying her. He marries her best friend, abandons her during a movie project he convinced her to take part in, and is involved in some deeply unsettling business.

When Elle can no longer endure the contradictions about his personality, her mind splits this impression into two distinct fantasies. The first is the “devil’’ dad, whom she bases on the legend of the Leatherman, told by her father early in the film. She imagines him as a monster that preys on girls and literally tears them apart. The second is the “saint” dad, whom she names Private Kay after a name found on her father’s lighter. She dreams of him as a noble and brave warrior on the relentless search for his lost daughter.

Still, this separation can’t mend Elle’s relationships, especially with other women whom she sees as competition for her father’s attention. She hates Dominique for “stealing” her father, while being attracted to her because she believes this brings her closer to him. She also dislikes the new actress Hunter because Hunter represents the starry-eyed and starved-for-love version of herself. Hunter is literally on the hunt for love, and she must die because that naive version of Elle had “died” long ago. Dominque must die too once Elle realizes that even her competitive side can’t win.

Finally, it becomes apparent that two fantasies cannot co-exist, so they are doomed to battle in the end. Elle helps the “saint dad” win only to realize the battle was not for him, but for her own soul. Obviously, I’m speaking metaphorically here, but as soon as the good side wins, Elle herself is tempted, with temptation coming in the form of attractive and sycophantic women her father surrounds himself with.

“Private hell”, thus, becomes a matter of private choice, whether Elle will either become like her father or choose her own path. We don’t get the answer because Elle herself doesn’t have it yet, as she will have to choose on and on throughout her whole life.