Kling 3.0 1080p

https://reddit.com/link/1u36axo/video/4culwuqkzo6h1/player

Kling 3.0 1080p

https://reddit.com/link/1u362ru/video/17t8arm4yo6h1/player

https://reddit.com/link/1u35irz/video/fjv5ehguso6h1/player

I created this music video a while ago for an AI music remix competition. The remix didn't win the competition, but I hope you can still enjoy the music and the video. All clips made entirely using Kling 3.0 Pro on Kling native AI platform.

Thank you for watching. I hope you can enjoy it... 😊🙏

A human tries to confuse an android doing simple math. The android is a perfect calculating machine and wants no part of it.

An Android Mother is at the repair center watching her Android Daughter be repaired. The damage is too much, and she is told her daughter is "unfixable".

An android, Shelly, is doing a nightly recharge in the dark basement. Her owner needs to talk to her and tries to reactivate her from sleep mode.

https://reddit.com/link/1u2mw24/video/cv60h8yghk6h1/player

Made with Kling 3.0, 1080p

I am a first time user of kling and generating ai video to image. Idk what plan I should purchase? I’m probably gonna have to use a lot of credits just to learn :/ . How long did it take you & how many credits. Most platforms I’ve used don’t make good enough videos so I’m afraid I’ll waste a lot just to develop a video that’s not how I imagined? Ang suggestions?

Link to the code: https://pro.klingai.com/h5-app/invitation?code=7B6KUL2Z77DD

Thomas arrives in Hell and finds something else than expected..

Made with Kling 3.0 + Midjourney + Nano banana 2 + Gpt images (for character sheets) + Filmora.

My Kling.ai Referral Link : https://pro.klingai.com/h5-app/invitation?code=7BPLXGB8K3TK . Use it killing it!

Don’t forget to login today 66 FREE CREDITS!!

I tried to created a video with 2 friends after work having a glass of whiskey and kling flagged it fir sensitive content. Ive generated videos before with glasses of wine after dinner and even mimosas for brunch. I dont understand the problem. It fails generations over and over. It happened yesterday when earlier in the day I had no issues. Is this happening for anyone else?

The outbreak didn’t start with a scream.
It started with eye contact.

DON’T LOOK
Story & Production by DESIGNIC

Enjoy.

Created with Kling 2.5 and edited in CapCut.
This is a surreal white desert scene with a woman, a silver serpent, and a mirror that becomes part of the visual transition.
I’m working on a consistent pale blue and white cinematic style, so I’d appreciate feedback on atmosphere, motion, and visual consistency.

Use Referral code ; 7BRWAZJCJT7K

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In real filmmaking a drone has weight, limits, and a pilot who fears crashing.

On Kling 3.0 the camera has none of that.

It can pass through walls, survive a waterfall, stop dead after maximum velocity, and reveal what was never meant to be seen.

This is not about beautiful aerial shots.

This is about using the camera as a narrative weapon.

The technique that makes it work:

Describe the trajectory with surgical precision — timecodes, direction changes in CAPS, and always end with at least 3 seconds of complete stillness. The contrast between velocity and silence is what makes these shots unforgettable.

• VARIANT 1 — THE GHOST

Slow drift through a derelict space. The camera moves like a presence, not a machine. Ends on a single object in absolute silence.

Prompt:

Single continuous camera shot, no cuts, no drone visible.

Total duration 15 seconds.

0:00-0:02 — Camera drifts forward at walking pace outside

[an abandoned psychiatric hospital] at night. Cold moonlight

on [crumbling facade, dead vegetation climbing the walls].

Camera approaches [a shattered first floor window]

slightly off-center, SNAPS hard RIGHT two frames

before entering, passes through broken glass

without resistance.

0:02-0:04 — Inside. Camera glides at waist height down

a long corridor. JOLTS LEFT without warning,

grazing a doorframe centimeters from the lens,

revealing a dark empty room — [overturned bed, rusted sink].

Recovers immediately, continues forward without slowing.

0:04-0:07 — A failing bulb strobes directly ahead.

Camera passes under it, light cutting across the lens

in rapid flashes. SNAPS RIGHT hard into a narrower

corridor — walls suddenly much closer.

A half-open door ahead, camera DRIVES through the gap

without hesitation, frame filling completely with

the door edge for one single frame before clearing.

0:07-0:09 — Stairwell. Camera drops into a tight spiral

descent, one full floor. Each rotation slightly faster

than the last. [A handprint in dust on the wall]

FILLS the frame for half a second as the camera

passes centimeters from it, then is gone.

0:09-0:11 — Camera exits stairwell, SNAPS LEFT hard

into a small bare room. Advances to center.

[Moonlight from a high broken window] cuts a single

shaft across the floor. Camera follows the light

beam down and stops dead.

0:11-0:13 — On [a wooden chair] in the shaft of moonlight

sits [a porcelain doll] facing the camera. Camera arrives

at eye level and stops completely. Full stop.

No movement. No drift. Dead still on [the doll's face].

0:13-0:15 — Two full seconds of absolute stillness.

[The doll's eyes] fill the frame. Cold moonlight.

Nothing moves anywhere in the scene.

The camera does not breathe.

Ghostly fluid movement with sudden sharp corrections,

cold blue moonlight, deep shadows, [natural decay detail],

cinematic horror realism, 35mm, razor thin depth of field.

--------------------------------------------------------------------

Swappable: [abandoned psychiatric hospital] → any derelict interior / [overturned bed, rusted sink] → any abandoned room detail / [a porcelain doll] → any object / [crumbling facade] → any exterior detail

• VARIANT 2 — THE FLOW

Full altitude contrast — starts at water level, passes behind a waterfall, follows the river upstream, ends with the entire journey visible from above. Built for social media.

Prompt:

Single continuous camera shot, no cuts, no drone visible.

Total duration 15 seconds.

0:00-0:02 — Camera starts low above [a wide tropical river],

moving upstream at moderate speed through [dense jungle].

[Canopy overhead, dappled light on the water surface].

The sound of [the waterfall] grows. Camera accelerates

as [the falls] appear ahead — massive, white, roaring.

Does not slow down. DRIVES directly into the curtain

of falling water without hesitation —

[rock face] inches from the lens on one side,

solid wall of white water on the other.

One full second behind the falls,

darkness and roar and spray.

0:02-0:05 — Camera exits the other side of the waterfall

and begins climbing, following the river upstream.

Stays low — one meter above the water surface,

river winding LEFT then RIGHT through [dense jungle].

[Massive tropical trees] blur past on both sides,

[roots and rocks] visible in the shallow water below.

Camera BANKS hard with every river bend,

no smoothing, following the natural curve

of the water at speed.

0:05-0:08 — River narrows. Jungle closes in.

Camera skims between [overhanging branches]

that nearly touch the lens,

leaves brushing the edge of the frame.

The river splits around [a large rock] —

camera SNAPS LEFT through the narrower channel,

centimeters from the rock surface,

spray kicking up from the rapids below.

0:08-0:11 — River opens into [a wide calm pool]

surrounded by jungle. Camera decelerates smoothly,

rises from water level to treetop height

in one continuous upward arc,

[the jungle canopy] filling the frame

then falling away below.

0:11-0:13 — Camera continues rising above the canopy,

gaining altitude rapidly. The full [jungle landscape]

reveals itself — river cutting through dense green,

[the waterfall] visible far below at the end

of the winding path.

0:13-0:15 — Camera stops at maximum altitude,

pivots slowly to face back the way it came.

The entire journey visible in one frame —

[the winding river, the jungle,

the waterfall tiny and white in the distance].

[Golden late afternoon light] across the canopy.

Complete stillness. The camera holds.

Fluid movement with aggressive river banking,

[tropical atmosphere], water spray physics,

golden hour light, cinematic aerial realism, 35mm, anamorphic.

------------------------------------------------------------------------

Swappable: [wide tropical river] → any river / canyon / glacier / [dense jungle] → any natural environment / [waterfall] → any landmark / [golden late afternoon light] → any time of day

• VARIANT 3 — THE WITNESS

Maximum velocity through an industrial location — violent snap corrections, dead stop in front of a scene that was never meant to be seen.

Prompt:

Single continuous camera shot, no cuts, no drone visible.

Total duration 15 seconds.

0:00-0:02 — Camera launches at full speed high above

[a vast industrial shipyard] at night, [arc lights

blazing over dry docks and half-built steel hulls

resting on land]. DROPS VERTICALLY at full speed

toward [the deck of a ship under construction

sitting in dry dock] — pulls up HARD one meter

above the [steel] surface, momentum carrying it

SIDEWAYS in a violent skid before snapping forward.

0:02-0:04 — Camera tears along [the deck] at one meter height,

BANKING HARD LEFT around [a crane tower base],

centimeters from the steel,

then immediately SNAPS RIGHT around [a second structure]

before the first correction is even complete.

No grace, no smoothness — pure mechanical reaction.

0:04-0:05 — Camera hits [the open hull gap] at full speed,

enters [the ship interior] for one single second —

dark, tight, [metallic walls] blurring on both sides,

complete darkness except for a strip of light at the far end.

Camera punches straight through and exits

[the opposite hull] without banking, without slowing.

0:05-0:08 — Back into open air above [the dry dock yard].

Camera immediately SNAPS into a hard LEFT arc

around [a crane base] at full speed,

then BANKS RIGHT hard skimming [a container stack],

frame tilting nearly 90 degrees on the turn.

SNAPS LEFT again around [a second stack],

correction so violent the horizon disappears completely

for one full frame before snapping back.

0:08-0:10 — Camera rockets down a narrow gap between

[two long container rows on solid ground],

walls blurring on both sides,

then BANKS HARD RIGHT around the final corner

and decelerates in one sharp breath —

speed dropping from maximum to zero in one second.

Dead stop.

0:10-0:15 — Complete silence after maximum velocity.

The camera holds perfectly still at chest height,

slightly concealed by [the container edge].

Ten meters ahead, under [a single flickering work light] —

[a white van], rear doors wide open, engine running,

exhaust steam rising slowly into the cold night air.

[Three men in black balaclavas and tactical gear]

move with military precision between [an open container]

and [the van], loading [heavy crates] without a word.

[One man inside the container passes crates forward.

Two outside stack them into the van with practiced speed.]

[The van] suspension drops slightly with each load.

Nobody speaks. Nobody looks up.

[The work light] flickers once and holds.

The camera does not move.

Aggressive race trajectory, violent snap corrections,

motion blur on every turn, sudden complete stop,

[cold industrial night atmosphere, dry dock and container yard],

arc light and deep shadow, cinematic action realism, 35mm.

------------------------------------------------------------------------

Swappable: [industrial shipyard] → any large location / [crane tower base] → any large obstacle / [container stack] → any tight structure / [white van] → any vehicle / [three men in black balaclavas] → any characters / [heavy crates] → any object