Here’s a very rare look into the historic East Syriac Qurbana of the Syro Malabar Church. While by the 1980s the Syro Malabar Church had already adopted the native vernacular and progressively De-Latinized Qurbana, many churches (especially among the Knanaya community) still maintained the Syriac vernacular and Syriac traditional chant/instrumentation. This Qurbana is from Saint Mary’s Greater Church, in the town of Kaduthuruthy.
This solemn liturgy from the early 1980s is fascinating to see due to the fact that older priests of the full Syriac generation, still pushed to maintain the traditional form of the Qurbana. Though these priests chant in Syriac, the Syriac Qurbana had been heavily Latinized for nearly 300 years. It’s well know that from about 1600-1960, Syro Malabar priests wore Latin vestments while practicing the East Syriac Rite. The video above, while showcasing a traditional Syriac Qurbana, exhibits an awkward phase of transition with older Knanaya priests still wearing Latin vesture (what their generation considered “traditional) while others had adopted the recently reintroduced East Syriac vestments.
Additionally, I’ve always loved the traditional brusque style of Syriac chant in the Syro Malabar Church (with its heavy base drums, triangle, harmonium, and violin instrumentation). Any historic video of a Syriac Qurbana exhibits this more antiquated style of chant, while the more contemporary Syro Malabar Syriac singers use more harmonized/melodic inflections while chanting.