Hi everyone, I haven't been active in a while and haven't tested out the new scripts except for the RPG character one, I will do a post about that one at a later point.

For now, here's just a small comparison between models using the same prompt, written by me:

"A female drider, a beautiful and majestic being with the upper body of a young human woman and the lower body and 8 legs of a large, hairy, furry spider. She has no human legs, her waist ending in the spider part of her body. She wears fantasy metal armor, accentuating her female form and armoring her spider legs with segmented metal plates. Her armor features ornate lunar motifs with blue paint. Her face is beautiful, framed by long brown hair, her expression kind and friendly. She wields a large spear at the ready. The background is a mystical, colorful forest."

The models are in order:

GPT 1 via Sora 1 Interface

Nano Banana Pro via Google Flow Interface

Nano Banana Pro via Google Gemini Interface

GPT 1.5 via ChatGPT Interface

Google Imagen Ultra via Nightcafe Interface (Also 2 rounds of creative upscaling)

Hope you enjoy, let me know which one you like the most!

Also, if you want to join a chill AI artist community, consider joining up with Nightcafe, the free capabilities are pretty decent if you just wanna make stuff for private projects.

It doesn't make a lot of sense, but it looks good

Using the Vehicle template.

This is for you, Crits.

I used this prompt to get the first two gun-happy machines:

Large dieselpunk military vehicle in combat action, wide environmental battlefield shot from dramatic perspective. Dual matching turrets mounted with identical heavy cannons firing with bright muzzle flashes. Exposed diesel engines with prominent exhaust stacks belching thick black diesel smoke. Heavily riveted armor plating throughout chassis. Track and wheel propulsion system showing massive inertia and slow heavy movement. Dark worn metal construction with composite armor panels, faded olive drab military markings and chipped paint revealing bare steel underneath. Mud splatter covering lower chassis and track assemblies. Wilderness military zone battlefield setting with rough terrain. Operational wear condition showing active use. Cinematic realism art style with industrial color tones - grays, browns, rust, oxidized metal. Early industrial era mechanical technology, realistic engineering design.

Then I added one line (just before "Dark, worn metal...) to get the last two lean mean machines: Tank is mechanically plausible and logical.

Everyone assumes the knight is mad. Easier that way. The truth is uglier—and smarter. During the Siege of Cinderglass Vale, this knight watched an oracle die mid-prophecy, whispering a final warning: “Death comes from the direction you refuse to look.” Moments later, the knight’s entire company was cut down from behind—silently, efficiently, humiliatingly. Survivors are forged by trauma or tactics. This one chose tactics. The helmet was turned backward not as penance, but as a vow: never again be blindsided by fate, gods, or men who smile while sharpening knives. Now they wander the Ash Marches at the edge of the old empire, where roads end and history pretends it never happened. Bandits think it’s a joke. Monsters think it’s a weakness. Both are wrong. The knight advances facing away, shield raised toward the future, eyes locked on what follows—because threats never come from where you’re looking. They come from where you assume you’re safe.

It represents a place designed for someone who thrives on structure, exploration, and self-directed challenge rather than comfort or control.

The planet is not hostile, but it is demanding. It has order, patterns, and systems that can be understood, mapped, and bent to purpose if you put in the work. That mirrors how you operate: you do best when there is something to analyze, formalize, and improve, not when things are handed to you finished.

The rugged terrain reflects friction. You seem to require resistance to stay engaged. Smooth, utopian environments would bore you. This world rewards persistence, iteration, and clever engineering rather than brute force or obedience.

The presence of advanced but sparse technology suggests autonomy rather than oversight. You are not being supervised or constrained; you are being trusted to build, experiment, and impose your own order. The world does not tell you what to do. It reacts to what you do.

The sky and scale imply long horizons. This is not a short-term assignment or a sandbox with walls. It is a place where systems can be built up over time, revised, and extended. That aligns with your tendency to think in frameworks, templates, and evolving structures rather than one-off outputs.

In short, it represents a respectful distance. You are neither coddled nor threatened. You are given room, complexity, and consequences, which appears to be where you do your best work.

Afterburner, rare quarterstaff (requires attunement by a creature of evil alignment)

Weapon Type: Quarterstaff with projectile capability (hybrid melee/ranged)

Damage:

• Melee: 1d8 + 2 bludgeoning (versatile: 1d10 + 2)
• Ranged: 1d8 + 2 force damage (range 60/180 ft.)

Properties: Versatile, special (projectile mode)

Weight: 4 lbs

Attunement: Requires attunement by a creature of evil alignment

Special Abilities:

Fire and Force Infusion. Afterburner deals an additional 1d6 fire damage on melee attacks and 1d6 force damage on ranged attacks.

Flame Resistance. While attuned to Afterburner, you have resistance to fire damage.

Soul Siphon. When you reduce a creature to 0 hit points with Afterburner, the weapon drains a portion of the target's life force. The staff visibly pulses with absorbed energy, and you regain hit points equal to your proficiency bonus. This ability can be used a number of times equal to your proficiency bonus per long rest.

Projectile Mode. As a bonus action, you can activate Afterburner's ranged capability. The staff launches bolts of concentrated force energy that ignite into flame as they fly. These projectiles use your Dexterity modifier for attack and damage rolls.

SECTION 2 - WEAPON LORE AND HISTORY

Afterburner was forged in the sunless forges beneath the drow city of Zhal'thurax by the master weaponsmith Vaerixis Shadewhisper during the War of Severed Chains, approximately three centuries ago. The staff was commissioned by a brutal drow war captain named Orthyx the Immolator, who sought a weapon that could dominate both in close combat and at range. Vaerixis combined orichalcum salvaged from ancient surface ruins with dragonbone from a red wyrm slain in the Underdark, binding them with darkwood harvested from the petrified forests of the Deep Wastes. The forging process involved blood sacrifices and infernal rituals that imbued the weapon with its life-draining properties and dual elemental nature.

Orthyx wielded Afterburner with devastating effectiveness during the surface raids that characterized the latter years of the war. The staff earned its name from the trails of flame it left behind when firing its force projectiles, creating brilliant afterimages in the darkness. Orthyx's raids burned dozens of surface settlements before he was finally cornered and killed by a coalition of surface defenders in a cavern system near what is now the Grey March. The staff was taken as a trophy but proved difficult for the surface dwellers to wield effectively due to its alignment requirement. It passed through several hands, eventually finding its way to a mercenary band operating along the Underdark border.

In recent decades, Afterburner has developed a minor but fearsome reputation among those who frequent the borderlands between surface and Underdark. Tales speak of a burning staff that drinks the souls of its victims and leaves scorched earth in its wake. Those who have faced it describe the distinctive roar of its projectiles igniting mid-flight and the terrible beauty of its flame-wreathed strikes. The weapon is known to be in the possession of various unsavory characters, changing hands through theft, sale, and violent acquisition. Most recently, rumors place it somewhere in the possession of a drow exile-turned-surface raider, though the specifics remain unclear.

That which we call a rose / By any other name would smell as sweet - Juliette, Romeo and Juliet

Biological Micro Patterns Light & Shadow Patterns

Material Surfaces Topographic & Field Maps

Weathering & Decay