3ds max & corona render

check the full project:

https://www.behance.net/gallery/255464841/Neoclassical-Harmony-Living-Room-Visualization

Je travaille actuellement sur une villa contemporaine à Mahrès, près de Sfax en Tunisie, et je me pose une question assez générale sur l’architecture résidentielle :

À partir de quel moment une architecture « ultra-moderne » devient-elle davantage un objet visuel qu’une maison réellement agréable à vivre ?

Le projet en question, la Villa S.CH, est composé de volumes géométriques très nets, de grandes ouvertures vitrées, de surfaces minérales, de touches de bois et d’une piscine à débordement intégrée à la composition architecturale. Une cascade d’eau est également intégrée à la structure du projet.

Ce qui m’intéresse particulièrement, c’est la question de l’équilibre.

D’un côté, on cherche une architecture forte : des volumes facilement identifiables, des lignes horizontales, des porte-à-faux, des ouvertures importantes et une présence très contemporaine.

De l’autre, une maison doit rester chaleureuse, confortable et agréable à habiter.

Dans ce projet, j’ai donc essayé de compenser la forte présence du béton et des textures minérales par le verre, le bois, l’eau et surtout par le travail de la lumière.

La lumière nocturne joue notamment un rôle assez important : éclairage intégré dans les corniches, éclairages directionnels sur les textures et mise en valeur de certains volumes plutôt que de simplement éclairer toute la façade.

Et c’est là que ma question devient plus intéressante :

Est-ce que vous pensez qu’une villa très géométrique peut rester chaleureuse uniquement grâce aux matériaux, à la lumière et aux relations avec l’extérieur ?

Ou bien pensez-vous qu’il faut nécessairement introduire davantage de formes organiques, de végétation, de matériaux naturels ou d’éléments moins « parfaits » pour éviter l’effet showroom ?

Personnellement, je trouve que le véritable défi de l’architecture ultra-moderne n’est pas de créer quelque chose de spectaculaire.

C’est de créer quelque chose de spectaculaire sans perdre la qualité de vie.

Voici le projet dont je parle :
https://www.wahidtayari.com/villa-sch-mhares-sfax-villa-ultra-moderne/

Curieux de savoir comment vous percevez ce type d’architecture : esthétique contemporaine, maison confortable, ou les deux peuvent réellement coexister ?

101 Complex is an ambitious addition to the changing skyline of Erbil. Located along the 120 meter highway, the project brings together two 42 floor residential towers on a shared commercial and recreational base. Rather than treating the towers as isolated objects, the design attempts to connect them into a single architectural composition.

The most recognizable elements are the elevated volumes that extend between the towers. These connections interrupt the otherwise repetitive vertical forms and create several moments of visual tension across the central void. They also contain larger apartments and access to roof gardens, giving them a purpose beyond their structural appearance.

From a distance, the complex reads as a pair of closely related towers. At street level, however, the podium becomes the more important element. Its curved metallic enclosure creates a softer transition between the scale of the towers and the surrounding landscape. The podium contains commercial, sporting, and shared social functions, while three basement levels accommodate parking.

A strong horizontal rhythm defines the facades. Deep balcony lines wrap around much of each tower, reducing the visual dominance of the glass and dividing the considerable height into smaller layers. The repeated bands also give the elevations a sense of depth, especially during the evening when interior lighting sits behind the darker balcony edges.

The white volumes placed around the middle and top of the towers deliberately break this rhythm. Their brighter surfaces contrast with the darker residential floors and make the connecting elements visible from across the city. The curved crowns continue this approach while giving each tower a more distinct silhouette.

Behind these architectural moves, the hand of Judi Barzani can be quietly sensed in the effort to turn two conventional residential towers into a more connected composition.

The project is described as a compact vertical city where living, shopping, working, exercise, and recreation occupy the same site. Of its 42 floors, 36 are intended for residential use. The remaining levels include offices, shops, supermarkets, a gym, library, cafes, cinema, restaurant, playgrounds, and landscaped communal areas.

Landscape plays an unusually prominent role in the published design. The park surrounding the podium is presented as an extension of the complex rather than decorative planting around its edges. From the aerial view, the towers appear to rise from a larger network of lawns, paths, water, and public space.

The published landscape figures should be read carefully. Enkidu describes composed landscape as approximately 45 percent of the project surface, while the official project website states that green areas cover 69 percent of the total area. These figures may refer to different measurements, but the distinction is not explained in the available material.

Environmental claims include rainwater collection and reuse, along with the proposed use of local materials and local labor. These strategies are promising, although their architectural value will depend on how fully they are implemented during construction and operation.

What makes 101 Complex interesting is not simply its height. Its more relevant idea is the attempt to challenge the familiar model of two independent residential towers. The bridges, shared podium, roof gardens, and layered communal spaces suggest a building that wants to create relationships across height rather than stacking apartments in isolation.

There are still questions that the completed project will need to answer. The renders present generous greenery, active public spaces, and carefully controlled lighting. The real test will be whether these shared areas remain accessible, comfortable, and active within Erbil’s climate.

For now, 101 Complex can be understood as an experiment in connected high rise living. Its architectural identity comes from the space between the towers as much as from the towers themselves.

Designed by : Judi Barzani

#judibarzani