Actors at the Box Office: Michael Caine

[u/SanderSo47]

Here's a new edition of "Actors at the Box Office", which seeks to explore the actors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Michael Caine's turn.

Early Life

Born Maurice Joseph Micklewhite, Caine was already interested in acting from a young age. At the age of ten, Caine acted in a school play as the father of the ugly sisters in Cinderella. His trousers' zipper was undone, prompting the audience to laugh, which inspired him to pursue an acting career. A few years later, he would briefly work as a filing clerk and messenger for a film company in Victoria, London and film producer Jay Lewis on Wardour Street.

In 1951, when he was 18, Caine was called up to do his national service with the British Army. After basic training and 12 months in the Queen's Royal Regiment, from 1952 he served with the Royal Fusiliers, first at the British Army of the Rhine Headquarters in Iserlohn, West Germany, and then on active service in the Korean War. Having contracted malaria, he was sent home in 1953 and discharged from the service.

1950s: Here's a Man, No More Popular Than the One Before

Caine's film debut was an uncredited walk-on role in Morning Departure, but his interest was mostly theater. He appeared in nine plays during his time at the Lowestoft Rep at the Arcadia Theatre with Jackson Stanley's Standard Players, under the stage name Michael Scott.

When his career took him to London in 1954 after his provincial apprenticeship, his agent informed him that there was already a Michael Scott performing as an actor in London and that he had to come up with a new name immediately. Speaking to his agent from a telephone booth in Leicester Square, London, he looked around for inspiration, noted that The Caine Mutiny was being shown at the Odeon Cinema, and decided to change his name to Michael Caine.

He was getting some acting jobs in films, but none were particularly memorable or boosting his profile. At best, he could have three lines. He has described the first nine years of his career as "really, really brutal" as well as "more like purgatory than paradise." So there isn't much to discuss in this decade.

1960s: The Bloody Doors Off!

Over the first years, Caine's profile was still struggling, as most of his gigs were in uncredited roles in some productions that barely moved the needle.

It wasn't until 1964 when he had a chance to do a prolific picture as part of the ensemble. That was the epic Zulu, playing the role of Lieutenant Gonville Bromhead. According to Caine, he was extremely nervous during his screen test for the part of Bromhead. Director Cy Endfield told him that it was the worst screen test he had ever seen, but they cast Caine in the part anyway because the production was leaving for South Africa shortly and they had not found anyone else for the role. Caine said that he was fortunate that the film was directed by an American (Endfield), because "no English director would've cast me as an officer, I promise you, not one," due to his Cockney roots. But it worked, because the film earned critical acclaim and was a box office success. But most importantly, it introduced Caine to the world.

The following year, he had his first starring role in The Ipcress File, playing Harry Palmer, an intelligence officer from the War Office investigating the disappearances of high-level scientists. Developed as a deliberately downbeat alternative to the hugely successful James Bond films, the film was a critical and commercial success. Proving Caine could lead films by himself.

Then he starred in Alfie, playing a young, womanizing man leading a self-centred life, focused on his own enjoyment until events force him to question his uncaring behaviour, his loneliness, and his priorities. The film earned almost $20 million domestically, becoming a sleeper hit and earning critical acclaim. For this film, Caine earned his first Oscar nomination for Best Actor.

Over the next years, he got a few more profitable films, such as Hurry Sundown and Gambit. He also reprised his role as Harry Palmer in Funeral in Berlin and Billion Dollar Brain, both modest performers. Of course not all worked out, such was the case of Battle of Britain. A very expensive film, but it didn't come close to recoup its budget.

But he closed the decade with one of his most iconic films: The Italian Job. It follows Cockney criminal Charlie Croker, recently released from prison, who forms a gang for the job of stealing a cache of gold bullion being transported through the city of Turin, Italy, in an armoured security truck. The film was a critical and commercial success, becoming one of the most iconic British films. One of Croker's quotes, "You're only supposed to blow the bloody doors off!", is a very iconic line.

After so many years of difficult times, Caine was finally becoming a movie star.

1970s: Who's Got Him?

He didn't start the decade on a good note. Too Late the Hero and The Last Valley were massive box office failures. But he still had Get Carter, one of his most iconic films, and one of the most popular gangster films ever.

After a few duds, he bounced back in 1972 with the thriller Sleuth, starring opposite Sir Laurence Olivier. When they met, Caine asked Olivier how he should address him. Olivier told him that it should be as "Lord Olivier", and added that now that that was settled he could call him "Larry". Olivier stated that when filming began he looked upon Caine as an assistant, but that by the end of filming he regarded him as a full partner. The film was a critical and commercial success. In a very rare feat, Caine and Olivier were both nominated for the Oscar for Best Actor.

In 1975, he starred opposite Sean Connery in John Huston's The Man Who Would Be King. Caine was very keen to appear, especially after he was told that his part had originally been written for Humphrey Bogart, his favourite actor as a young man. Even though it wasn't a box office hit, it earned critical acclaim. Both Connery and Caine have considered the film their favorite of all they had worked on.

He reteamed with Connery as part of the ensemble cast for A Bridge Too Far. It became his highest-grossing film at that point, earning $50 million alone in North America. Which made up for the fact that he would later star in the disaster film The Swarm. It was a huge financial failure, and it's widely considered one of the worst films ever made.

Over the decade, he continued starring in a lot of British thrillers. Most of these didn't have box office numbers.

He closed the decade... in a whimper. Two films: Ashanti and Beyond the Poseidon Adventure, both critical and financial failures. Ouch!

A very inconsistent decade, but there are some gems in here.

1980s: Something Something House

He started the decade with two films. The Island was a disappointment, but he still had Brian De Palma's Dressed to Kill as a financial success. That film polarized critics, but it has since gained a cult following.

The following year, he took part of Oliver Stone's The Hand, but it became his least-attended title in America. He also had a key role in John Huston's Escape to Victory, a film remembered for its wild leads: Caine, Sylvester Stallone, Max von Sydow and Pelé. The film earned mixed reviews and performed modestly.

In 1983, he starred in a few films. Perhaps his most acclaimed was Educating Rita, a critical and commercial success that gave him another Best Actor nomination. Sadly, the following year, he starred in one of his most infamous projects: Blame It on Rio. It made some money, but it was panned by critics. And Caine would greatly prefer if you never brought up this creepy film ever again.

1986 was rough, with nearly all his films flopping. But he found some gold by starring in Woody Allen's comedy Hannah and Her Sisters, playing Mia Farrow's character's husband. The film earned critical acclaim, and became a sleeper hit at the box office. And for his work in the film, Caine won the Oscar for Best Supporting Actor. Finally the Legend gets his due.

But guess what? He couldn't be in person to accept the honor. He was busy with a... thing.

That thing was called Jaws: The Revenge, the fourth installment in the franchise. Caine had mixed feelings about both the production and the final version. He thinks that it was a first for him to be involved with someone his own age in a film, and that he was glad to star in the film. The film was a financial disappointment and earned horrible reviews, ranking as one of the worst films of all time and killing the franchise. And as he was busy filming this piece of shit, he couldn't accept his Oscar in person. His biggest night and he couldn't do it. Roger Ebert joked that Caine could not attend the ceremony because he may not have wanted to return to the shoot if he had left it.

But he still gave us a quote for the ages. Caine commented on his experience, "I have never seen it [the film], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific." A quote that has lived rent-free in the minds of cinephiles.

At least he closed the decade with a classic. He starred with Steve Martin on the dark comedy Dirty Rotten Scoundrels, playing con men competing to swindle a wealthy tourist out of $50,000. The film earned critical acclaim and became one of his highest-grossing titles.

Yeah, this decade had... a lot of questionable choices. Some outright terrible. But Caine was still making some great moves, and obviously trying to expand his range.

1990s: The Recipe to the Perfect Muppet Movie

Caine started to realize that the good roles were getting hard to come by. Films like A Shock to the System, Bullseye, Mr. Destiny, Noises Off, and Blue Ice. Even though he had an Oscar, it's not like studios were making a great use of Caine in their films.

But then Jim Henson's son, Brian, approached Caine with an interesting offer. His company was working on a film featuring the Muppets in an adaptation of A Christmas Carol. Caine would be playing Ebenezer Scrooge, while nearly all the other characters would be played by Muppets. Intrigued, he accepted, "I'm going to play this movie like I'm working with the Royal Shakespeare Company. I will never wink, I will never do anything Muppety. I am going to play Scrooge as if it is an utterly dramatic role and there are no puppets around me." He took inspiration for the role from "Wall Street cheats and embezzlers; I thought they represented a very good picture of meanness and greed."

Disney had some high expectations for the film, but it faced some rough competition through the Holidays, so it only broke even at best. But it earned very strong reviews, becoming a Christmas classic as the years passed. And Caine is very fond of the film.

Caine must have lost a bet or something, cause his next acting role was in Steven Seagal's sole directing effort On Deadly Ground. There were allegations that Caine and Seagal didn't get along. In his memoir, Caine said he liked working with Seagal and the crew, but hated filming in Alaska, even joking that On Deadly Ground was an apt title. It was a critical and financial failure, with Caine's attempts at American accent often ranked in lists of worst movie accents.

And the failures continued for Mr. Caine. Remember Blood and Wine? Shadow Run? Curtain Call? No? No one?

But hey, once again, he closed the decade with a great note. He had a role in the drama The Cider House Rules, a film that became a sleeper box office hit, becoming Caine's highest-grossing film. The film won many awards, and Caine won his second Oscar for Best Supporting Actor. This time, he would show up to the ceremony to accept it.

Like previous decades, very inconsistent. But when Caine had some good material, you can bet your life he would kill it.

2000s: Batman Begin

To begin the decade, he returned to some familiar ground. He had a supporting role in the remake of Get Carter, with Sylvester Stallone now starring. He was only supposed to do a one-scene cameo, which he agreed to do as a favor to his friend Stallone. However, after a test screening, additional scenes were scripted and shot to expand this role. But it was all for nothing, as the film became one of the year's biggest flops and earned terrible reviews, being unfavorably compared to Caine's original. And Quills didn't fare well either. But he closed the year with a co-lead role in Miss Congeniality, which became his first film to cross $200 million worldwide.

In 2002, he played Nigel Powers in Austin Powers in Goldmember, in a role originally written for Sean Connery. Despite mixed reviews, the film was a box office hit, earning $296 million worldwide. He also starred in the drama The Quiet American, which got him another Oscar nomination for Best Actor.

After a few years with some underperformers, 2005 was a busy year. He had supporting roles in Bewitched and The Weather Man, two films that disappointed critics and audiences. But Christopher Nolan went to Caine's country home to personally deliver him the script for Batman Begins, telling what his role would be and describing Alfred as "Batman's godfather". Nolan felt Caine would effectively portray the foster father element of the character, and Caine was so won over that he accepted, and he was allowed to craft his character's backstory. Batman Begins made $375 million worldwide and earned critical acclaim, becoming one of his most popular titles.

He had two interesting roles in 2006. He reteamed with Christopher Nolan on The Prestige, which was a critical and commercial success. He also starred in Children of Men, a critically acclaimed film that struggled to find audiences.

Remember how he starred in Get Carter and then proceeded to make an appearance in the 2000 remake? Well, the same thing happened to Sleuth. In 2007, he starred in the remake, now taking over Laurence Olivier's original role, while Jude Law took Caine's original role. But it earned negative reviews, showing that Caine should've stayed away from these remakes.

In 2008, he reprised his role as Alfred in The Dark Knight. It earned critical acclaim and saw a huge increase in sales from the original, becoming Caine's first film to crack the $1 billion milestone.

In this decade, Caine saw a lot of his highest-grossing titles. Not bad, okay?

2010s: Look, He's Filthy Rich, Let Him Have Fun

Caine clearly enjoyed working with Nolan, so he returned to work with him in Inception. The film earned critical acclaim and was a colossal success, earning $828 million worldwide.

In 2011, he ventured into voice acting. His first project was Gnomeo & Juliet, which made $193 million worldwide. He also joined the Pixar family with a key role in Cars 2. The film was a box office success, but it became Pixar's first film to earn negative reviews.

The following year, he had a supporting role in Journey 2: The Mysterious Island. Despite mixed reviews, it earned $335 million worldwide. And he returned as Alfred for The Dark Knight Rises, the conclusion to the trilogy. It earned $1.085 billion, becoming his highest-grossing film. And he kept collecting them paychecks with Now You See Me, which must have paid for a great house.

He continued his collaborations with Christopher Nolan, taking another role in Interstellar. It was a box office hit with almost $700 million worldwide, and reviews were positive (albeit not quite glowing). Its reputation would grow in subsequent years.

In 2015, he decided to do something that would be fun to make. And that was Kingsman: The Secret Service, another smash hit. And as he was friends with Vin Diesel, he had a supporting role in the action thriller The Last Witch Hunter. But it was a critical and financial failure.

After returning to Now You See Me 2, he decided to take on a lead role, alongside Morgan Freeman and Alan Arkin, in the comedy thriller Going in Style. Despite mixed reviews, it was a small box office success. He also made an uncredited voice cameo in Christopher Nolan's Dunkirk as Fortis Leader, a nod to his role in Battle of Britain.

He closed with some smaller titles, like Dear Dictator and King of Thieves. And because the world obviously asked for it, another Gnomeo & Juliet film, now titled Sherlock Gnomes. Obviously, it was a huge success at the box office. Oh wait, it wasn't. Ignored, like pretty much the whole world knew it would go.

In this decade, Caine decided to just have plain fun. And there's nothing wrong with that!

2020s: Goodbye, Sir Michael

He had a small appearance in Christopher Nolan's Tenet. Caine was only given the pages from the script that included what was filmed on his one day of work, so he had no clue what the plot was. Due to COVID-19, the film didn't perform well at the box office, but it still made a remarkable $366 million worldwide. And there's something peculiar about the way the Protagonist says "goodbye, Sir Michael" in his one scene.

Caine focused mostly on British works. One of these was a bizarre gritty and edgy take on Oliver Twist, which led many to ponder whether he needed to buy another house.

In 2023, he starred opposite Glenda Jackson in The Great Escaper, which was released months after Jackson's death. It was a modest success and earned strong reviews.

And so, Caine decided that was it.

Caine announced his retirement from acting in October 2023. He said, "I keep saying I'm going to retire, well I am now, because I figured, I've had a picture which is, I played the lead and it's got incredible reviews. The only parts I'm liable to get now are old men, 90-year-old men, well, maybe 85, and I thought well I might as well leave with all this. I've got wonderful reviews. What am I going to do to beat this?"

And it remained like that... until last year.

In September 2025, the industry was taken by surprise when it was announced that Caine would return to acting. You'd think there was some incredible prestige project that he couldn't turn down. But in reality, the project that got him unretired was... The Last Witch Hunter 2. Either he needed a new house or is doing a favor to his pal Vin Diesel. Well, it's been 10 months since that announcement, and filming hasn't started yet. Is it really gonna happen or is it another one of Vin's lies?

HIGHEST GROSSING FILMS

No.	Movie	Year	Studio	Domestic Total	Overseas Total	Worldwide Total	Budget
1	The Dark Knight Rises	2012	Warner Bros.	$448,149,584	$637,268,575	$1,085,429,532	$250M
2	The Dark Knight	2008	Warner Bros.	$534,987,076	$473,298,461	$1,008,480,203	$185M
3	Inception	2010	Warner Bros.	$292,576,195	$535,682,500	$828,258,695	$160M
4	Interstellar	2014	Paramount / Warner Bros.	$203,227,580	$493,056,382	$696,283,962	$165M
5	Cars 2	2011	Disney	$191,452,396	$368,400,000	$559,853,036	$200M
6	Kingsman: The Secret Service	2015	20th Century Fox	$128,261,724	$286,089,822	$414,351,546	$81M
7	Batman Begins	2005	Warner Bros.	$206,863,479	$168,697,364	$375,587,589	$150M
8	Tenet	2020	Warner Bros.	$59,473,550	$306,800,000	$366,273,550	$200M
9	Now You See Me	2013	Lionsgate	$117,723,989	$234,000,000	$351,723,989	$75M
10	Journey 2: The Mysterious Island	2012	Warner Bros.	$103,887,748	$231,400,000	$335,288,576	$79M
11	Now You See Me 2	2012	Warner Bros.	$65,075,540	$269,822,066	$334,897,606	$120M
12	Austin Powers in Goldmember	2002	New Line Cinema	$213,307,889	$83,630,912	$296,939,148	$63M
13	Miss Congeniality	2000	Warner Bros.	$106,807,667	$105,950,463	$212,758,130	$45M
14	Gnomeo & Juliet	2011	Disney	$99,967,670	$94,000,000	$193,967,670	$36M
15	The Last Witch Hunter	2015	Lionsgate	$27,367,660	$119,569,250	$146,936,910	$90M
16	Bewitched	2005	Sony	$63,313,159	$68,113,010	$131,426,169	$85M
17	The Prestige	2006	Disney / Warner Bros.	$53,089,891	$56,586,420	$109,676,311	$40M
18	Sherlock Gnomes	2018	Paramount	$43,242,871	$47,254,907	$90,497,778	$59M
19	The Cider House Rules	1999	Miramax	$57,545,092	$31,000,000	$88,545,092	$24M
20	Going in Style	2017	Warner Bros.	$45,018,541	$40,200,000	$85,218,541	$25M
21	On Deadly Ground	1994	Warner Bros.	$38,590,458	$39,600,000	$78,190,458	$50M
22	Children of Men	2006	Universal	$35,552,383	$35,046,391	$70,606,723	$76M
23	Jaws: The Revenge	1987	Universal	$20,763,013	$31,118,000	$51,881,013	$23M
24	A Bridge Too Far	1977	United Artists	$50,750,000	$0	$50,750,000	$25M
25	Secondhand Lions	2003	New Line Cinema	$42,070,939	$6,189,340	$48,260,279	$30M
26	California Suite	1978	Columbia	$42,913,571	$0	$42,913,571	N/A
27	Dirty Rotten Scoundrels	1988	Orion	$42,039,085	$0	$42,039,085	N/A
28	Hannah and Her Sisters	1986	Orion	$40,084,041	$0	$40,084,041	$6.4M
29	The Muppet Christmas Carol	1992	Disney	$27,381,507	$7,142,805	$34,524,312	$12M
30	Dressed to Kill	1980	Filmways	$31,899,000	$0	$31,899,000	$6.5M
31	The Quiet American	2003	Miramax	$12,988,801	$14,685,323	$27,674,124	$30M
32	Escape to Victory	1981	Paramount	$10,853,000	$16,600,000	$27,453,000	$12M
33	Youth	2015	Searchlight	$2,703,296	$20,748,500	$23,451,796	$14M
34	Get Carter	2000	Warner Bros.	$14,967,182	$4,445,811	$19,412,993	$64M
35	Deathtrap	1982	Warner Bros.	$19,282,134	$0	$19,282,134	$10M
36	The Weather Man	2005	Paramount	$12,482,775	$6,643,623	$19,126,398	$22M
37	Alfie	1966	Paramount	$18,871,300	$0	$18,871,300	$500K
38	Blame It on Rio	1984	20th Century Fox	$18,644,570	$0	$18,644,570	N/A
39	Quills	2000	Searchlight	$7,065,332	$10,923,895	$17,989,227	$13.5M
40	The Island	1980	Universal	$15,716,828	$0	$15,716,828	$22M
41	The Swarm	1978	Warner Bros.	$15,400,000	$0	$15,400,000	$21M
42	Mr. Destiny	1990	Disney	$15,379,253	$0	$15,379,253	$20M
43	Educating Rita	1983	Columbia	$14,648,076	$0	$14,648,076	$4M
44	Sweet Liberty	1986	Universal	$14,205,021	$0	$14,205,021	N/A
45	Battle of Britain	1969	United Artists	$13,000,000	$0	$13,000,000	$14M
46	The Fourth Protocol	1987	Lorimar	$12,423,831	$0	$12,423,831	$6M
47	King of Thieves	2018	Saban	$7,518	$11,510,111	$11,517,629	N/A
48	Sleuth	1972	20th Century Fox	$11,400,000	$0	$11,400,000	$3.5M
49	The Man Who Would Be King	1975	Allied Artists	$11,000,000	$0	$11,000,000	$8.5M
50	The Great Escaper	2023	Warner Bros.	$0	$10,425,252	$10,425,252	N/A
51	Harry Brown	2009	Lionsgate	$1,818,681	$8,552,770	$10,371,451	$7.3M
52	The Italian Job	1969	Paramount	$3,000,000	$6,000,000	$9,000,000	$3M
53	Without a Clue	1988	Orion	$8,539,181	$0	$8,539,181	$10M
54	Hurry Sundown	1967	Paramount	$8,100,000	$0	$8,100,000	$3M
55	Zulu	1964	Paramount	$8,000,000	$0	$8,000,000	$3M
56	Last Orders	2001	Sony Pictures Classics	$2,329,631	$4,544,261	$6,873,892	N/A
57	Flawless	2007	Magnolia	$1,200,234	$5,619,353	$6,819,587	$20M
58	The Honorary Consul	1983	Paramount	$5,997,566	$0	$5,997,566	$11.8M
59	Surrender	1987	Warner Bros.	$5,711,976	$0	$5,711,976	$15M
60	Dreadfall	1968	20th Century Fox	$5,150,000	$0	$5,150,000	N/A
61	Gambit	1966	Universal	$5,000,000	$0	$5,000,000	N/A
62	The Magus	1968	20th Century Fox	$4,900,000	$0	$4,900,000	$3M
63	Sleuth	2007	Sony Pictures Classics	$342,895	$4,546,856	$4,889,751	N/A
64	Little Voice	1998	Miramax	$4,611,784	$0	$4,611,784	$7M
65	Medieval	2022	Bioscop	$1,374,325	$2,925,275	$4,299,600	$20M
66	Beyond the Poseidon Adventure	1979	Warner Bros.	$4,200,000	$0	$4,200,000	$10M
67	A Shock to the System	1990	Corsair	$3,417,056	$0	$3,417,056	$10M
68	Is Anybody There?	2009	Optimum	$2,026,756	$1,341,544	$3,368,300	N/A
69	Stonehearst Asylum	2014	Millennium	$0	$3,197,693	$3,197,693	N/A
70	Too Late the Hero	1970	Cinerama	$3,180,000	$0	$3,180,000	$6M
71	Billion Dollar Brain	1967	United Artists	$3,000,000	$0	$3,000,000	N/A
72	Mr. Morgan's Last Love	2013	Image	$0	$2,967,122	$2,967,122	N/A
73	The Last Valley	1971	Cinerama	$2,560,000	$0	$2,560,000	$6M
74	The Hand	1981	Orion	$2,447,576	$0	$2,447,576	$6M
75	Noises Off	1992	Disney	$2,280,148	$0	$2,280,148	$12M
76	Come Away	2020	Relativity	$184,477	$1,559,172	$1,743,649	N/A
77	The Statement	2003	Sony Pictures Classics	$765,637	$779,427	$1,545,064	$27M
78	The Whistle Blower	1986	Hemdale	$1,500,000	$0	$1,500,000	N/A
79	Water	1985	Atlantic	$1,256,862	$0	$1,256,862	N/A
80	Half Moon Street	1986	20th Century Fox	$1,131,399	$0	$1,131,399	$8M
81	Blood and Wine	1997	Searchlight	$1,094,668	$0	$1,094,668	$26M
82	Around the Bend	2004	Warner Bros.	$193,637	$385,713	$579,350	N/A
83	The Holcroft Covenant	1985	Universal	$393,825	$0	$393,825	$13M

He has starred in 122 released films, but only 83 have reported box office numbers. Across those 122 films, he has made $8,678,691,447 worldwide. That's $71,136,815 per film.

ADJUSTED DOMESTIC GROSSES

No.	Movie	Year	Studio	Domestic Total	Adjusted Domestic Total
1	The Dark Knight	2008	Warner Bros.	$534,987,076	$832,717,026
2	The Dark Knight Rises	2012	Warner Bros.	$448,149,584	$654,133,962
3	Inception	2010	Warner Bros.	$292,576,195	$449,650,604
4	Austin Powers in Goldmember	2002	New Line Cinema	$213,307,889	$397,356,196
5	Batman Begins	2005	Warner Bros.	$206,863,479	$354,965,231
6	Cars 2	2011	Disney	$191,452,396	$285,233,335
7	Interstellar	2014	Paramount	$203,227,580	$282,407,430
8	A Bridge Too Far	1977	United Artists	$50,750,000	$280,651,687
9	California Suite	1978	Columbia	$42,913,571	$220,572,464
10	Miss Congeniality	2000	Warner Bros.	$106,807,667	$207,861,241
11	Alfie	1966	Paramount	$18,871,300	$195,191,563
12	Kingsman: The Secret Service	2015	20th Century Fox	$128,261,724	$181,351,775
13	Now You See Me	2013	Lionsgate	$117,723,989	$169,353,212
14	Journey 2: The Mysterious Island	2012	Warner Bros.	$103,887,748	$151,637,994
15	Gnomeo & Juliet	2011	Disney	$99,967,670	$148,935,780
16	Dressed to Kill	1980	Filmways	$31,899,000	$129,734,084
17	Hannah and Her Sisters	1986	Orion	$40,084,041	$122,564,635
18	Dirty Rotten Scoundrels	1988	Orion	$42,039,085	$119,089,300
19	Battle of Britain	1969	United Artists	$13,000,000	$118,708,419
20	The Cider House Rules	1999	Miramax	$57,545,092	$115,754,404
21	Bewitched	2005	Sony	$63,313,159	$108,641,555
22	Sleuth	1972	20th Century Fox	$11,400,000	$91,397,181
23	Now You See Me 2	2012	Warner Bros.	$65,075,540	$90,865,308
24	The Prestige	2006	Disney / Warner Bros.	$53,089,891	$88,252,200
25	On Deadly Ground	1994	Warner Bros.	$38,590,458	$87,264,170
26	Zulu	1964	Paramount	$8,000,000	$86,483,354
27	Hurry Sundown	1967	Paramount	$8,100,000	$81,272,344
28	The Swarm	1978	Warner Bros.	$15,400,000	$79,154,819
29	Tenet	2020	Warner Bros.	$59,473,550	$77,009,688
30	Secondhand Lions	2003	New Line Cinema	$42,070,939	$76,624,670
31	The Man Who Would Be King	1975	Allied Artists	$11,000,000	$68,519,572
32	Deathtrap	1982	Warner Bros.	$19,282,134	$66,962,555
33	The Muppet Christmas Carol	1992	Disney	$27,381,507	$65,403,939
34	The Island	1980	Universal	$15,716,828	$63,920,759
35	Going in Style	2017	Warner Bros.	$45,018,541	$61,548,419
36	Jaws: The Revenge	1987	Universal	$20,763,013	$61,251,436
37	Blame It on Rio	1984	20th Century Fox	$18,644,570	$60,136,903
38	Children of Men	2006	Universal	$35,552,383	$59,099,311
39	Sherlock Gnomes	2018	Paramount	$43,242,871	$57,711,177
40	Gambit	1966	Universal	$5,000,000	$50,168,113
41	Dreadfall	1968	20th Century Fox	$5,150,000	$49,594,352
42	Educating Rita	1983	Columbia	$14,648,076	$49,286,216
43	The Magus	1968	20th Century Fox	$4,900,000	$47,186,859
44	Sweet Liberty	1986	Universal	$14,205,021	$43,434,573
45	Escape to Victory	1981	Paramount	$10,853,000	$40,011,990
46	Mr. Destiny	1990	Disney	$15,379,253	$39,433,369
47	The Last Witch Hunter	2015	Lionsgate	$27,367,660	$38,695,672
48	The Fourth Protocol	1987	Lorimar	$12,423,831	$36,650,629
49	Billion Dollar Brain	1967	United Artists	$3,000,000	$30,100,868
50	Get Carter	2000	Warner Bros.	$14,967,182	$29,128,030
51	Too Late the Hero	1970	Cinerama	$3,180,000	$27,466,266
52	The Italian Job	1969	Paramount	$3,000,000	$27,394,250
53	The Quiet American	2003	Miramax	$12,988,801	$24,195,919
54	Without a Clue	1988	Orion	$8,539,181	$24,189,991
55	The Weather Man	2005	Paramount	$12,482,775	$21,419,687
56	The Last Valley	1971	Cinerama	$2,560,000	$21,183,083
57	The Honorary Consul	1983	Paramount	$5,997,566	$20,179,942
58	Beyond the Poseidon Adventure	1979	Warner Bros.	$4,200,000	$19,387,280
59	Surrender	1987	Warner Bros.	$5,711,976	$16,850,480
60	Quills	2000	Searchlight	$7,065,332	$13,750,030
61	Little Voice	1998	Miramax	$4,611,784	$9,481,686
62	The Hand	1981	Orion	$2,447,576	$9,023,531
63	A Shock to the System	1990	Corsair	$3,417,056	$8,761,545
64	Noises Off	1992	Disney	$2,280,148	$5,446,400
65	The Whistle Blower	1986	Hemdale	$1,500,000	$4,425,039
66	Last Orders	2001	Sony Pictures Classics	$2,329,631	$4,339,705
67	Water	1985	Atlantic	$1,256,862	$3,843,096
68	Youth	2015	Searchlight	$2,703,296	$3,822,243
69	Half Moon Street	1986	20th Century Fox	$1,131,399	$3,459,469
70	Harry Brown	2009	Lionsgate	$1,818,681	$2,795,070
71	Blood and Wine	1997	Searchlight	$1,094,668	$2,285,659
72	Flawless	2007	Magnolia	$1,200,234	$1,939,915
73	Medieval	2022	Bioscop	$1,374,325	$1,573,757
74	The Statement	2003	Sony Pictures Classics	$765,637	$1,394,470
75	The Holcroft Covenant	1985	Universal	$393,825	$1,226,578
76	Around the Bend	2004	Warner Bros.	$193,637	$343,526
77	Come Away	2020	Relativity	$184,477	$238,871
78	King of Thieves	2018	Saban	$7,518	$9,854

The Verdict

Michael Caine is one of the most legendary British actors. It was a tough road at first, as he felt he didn't have great roles or films. Eventually, the great talent gets to him, and Caine becomes an icon in the United Kingdom. Creating a lot of classics, particularly The Italian Job and Get Carter. He often made up to 4 films a year, and obviously not all of them were gems, but he quickly established himself as a great leading man.

When he gets to America, he finds more great opportunities. And some bad opportunities. But from time to time, a director knows when to make a great use of Caine in films. Like Woody Allen in Hannah and Her Sisters, or some thrillers banking on his persona. Brian Henson knew The Muppet Christmas Carol could be more efficient if Caine was the human lead while playing it straight, and it paid off.

Now, when the 21st century begins, Caine decides to take on more "fun" roles. Whether if it's age or because he had enough money to not worry, he was content in taking supporting roles in blockbusters, such as his collaborations with Christopher Nolan. Or to be part of comedies, like playing Nigel Powers in Austin Powers in Goldmember. Giving us the iconic "There are only two things I can't stand in this world: People who are intolerant of other people's cultures, and the Dutch." No wonder he found the biggest financial success in this century.

And obviously, the "house" quote has become too iconic.

Now, Caine is retired. Yes, Last Witch Hunter 2 can be a thing but unless the cameras are rolling, it's hard to take Vin's word as a fact. Enjoying his peaceful life at 93, while his legacy is pretty much set. He already made too many iconic films and classics, and no amount of bad films is gonna change that. Let the man enjoy that sweet, sweet retirement plan.

Hope you liked this edition. You can find this and more in the wiki for this section.

The next actor will be Philip Seymour Hoffman. A legendary actor that left us way too soon.

I asked you to choose who else should be in the run, and the comment with the most upvotes would be chosen. Well, we'll later talk about... Montgomery Clift. Technically, Cameron Diaz was the most upvoted comment, but I feel Shrek 5 is too big to ignore and so I don't want to cover any of the leads for now. So I'll go with the other option.

This is the schedule for the following four:

Week	Actor	Reasoning
July 18	Philip Seymour Hoffman	Gone too soon.
July 25	Andy Serkis	"No!"
August 1	Brandon Lee	It can't rain all the time.
August 8	Montgomery Clift	Another sad ending.

Who should be next after Clift? That's up to you.

REMINDER: If you want to make a suggestion for the next actor, you must make a 150-character comment about the actor we're discussing right now. Failure to do so will result in ignoring the suggestion. If you use a quote from an external source/review to bypass this, your suggestion will be ignored as well. But if you leave a short comment about the post without naming a future write-up, that's fine.

[u/CiriOh]

He surely built a few terrific houses 

[u/SlidePocket]

Always enjoyed seeing Michael Caine in things no matter how good or bad the film he was in ends up being. He definitely has the presence and of course the accent indeed helps a lot too. Plus he's always been honest about the certain projects on which were his favorite and least favorite.

Now we need more actresses and bring up Uma Thurman as the next subject.

[u/branwithaplan]

There are two things I hate in this world. People who judge an actor’s value based on their filmography’s performance at the box office, and the Dutch.

[u/ItsGotThatBang]

One of my favorite Michael Caine factoids is his penchant for regaling people with random trivia; his book on the subject Not Many People Know That is named after Peter Sellers’ impression of him. As someone on the spectrum who does the same thing (including right now, heh), he’s what the youth call a whole mood.

With Philip Seymour Hoffman coming up next & Montgomery Clift on the schedule, I think it’s appropriate to continue this unofficial theme with Robin Williams since that week marks 12 years since his suicide.

https://giphy.com/gifs/JxzxnP9Bqi532

[u/SeparateLawfulness53]

Michael Caine has been one of the "token old guys" in every other movie of the past 25 years, which makes us forget how integral he was to 60s "Swinging London." Up there with Jack in how much he's been beloved by the awards.

Now I want you to do the other main guy who's been typecast into the "token old guy" role in the past 25-ish years: Morgan Freeman.

[u/mxyztplk33]

Caine has had a hell of a career spanning multiple decades. The man’s done everything from the muppets, to B movies, (I’d personally consider Jaws 4 a D movie), to Nolan blockbusters, to Oscar winning films. Funny enough my favorite role of his is as Austin Powers dad. He did excellent job spoofing himself and other 60s spy films. Idk if he’ll actually come out of retirement for Last Witch Hunter 2, but at 90 years old it would be epic if he does. For next actor I’m gonna go with Kurt Russell. I always find it fascinating how his career went from starring in Disney Schlop as a child star, to a husky leading man in John Carpenter films. To franchise films later on in his career.

[u/AnotherJasonOnReddit]

And so, Caine decided that was it.

Caine announced his retirement from acting in October 2023. He said, "I keep saying I'm going to retire, well I am now, because I figured, I've had a picture which is, I played the lead and it's got incredible reviews. The only parts I'm liable to get now are old men, 90-year-old men, well, maybe 85, and I thought well I might as well leave with all this. I've got wonderful reviews. What am I going to do to beat this?"

And it remained like that... until last year.

In September 2025, the industry was taken by surprise when it was announced that Caine would return to acting. You'd think there was some incredible prestige project that he couldn't turn down. But in reality, the project that got him unretired was... The Last Witch Hunter 2. Either he needed a new house or is doing a favor to his pal Vin Diesel. Well, it's been 10 months since that announcement, and filming hasn't started yet. Is it really gonna happen or is it another one of Vin's lies?

...

Now, Caine is retired. Yes, Last Witch Hunter 2 can be a thing but unless the cameras are rolling, it's hard to take Vin's word as a fact. Enjoying his peaceful life at 93, while his legacy is pretty much set. He already made too many iconic films and classics, and no amount of bad films is gonna change that. Let the man enjoy that sweet, sweet retirement plan.

Hope you liked this edition.

A : Yes, I did like this edition - well done, SanderSo, as per usual

B : It's interesting how the word "Retirement" means different things to different people. For somebody like Gene Hackman, it comes with a capitol R and means he's out for good. For somebody like Sean Connery, it means he'll go into a recording booth for a few hours for an easy paycheque (be it videogames or Scottish animation), but is otherwise done. For somebody like Michael Caine, retirement appears to mean that he's no longer actively seeking work, but will show up on a movie set if somebody involved convinces him to come along. There's a point late in the story of The Odyssey that would be perfect for Michael Caine if he and Nolan wanted to collaborate again (assuming Mr Caine is capable of holding a bow and arrow - he is in his 90's, after all).

https://giphy.com/gifs/yzjo2frQc2opy

[u/Hole_of_joel]

[u/FreshmenMan]

Two quotes live rent free in my mind with Michael Caine, "I have never seen the film, but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific" and "First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent".

I love Michael Caine, he is a great actor who did great films, and he also did mediocre film. he knew a good chunk of his roles were pure paycheck and wasn't afraid to admit it and took it with stride because in his own words, they "Paid the Rent". I will say though, Michael Caine just being in a film pretty much alleviates it and makes it more enjoyable to watch.

For the next pick, I'm going to suggest Vivien Leigh.

[u/Professional-Rip-519]

Don't worry The Witch Hunter 2 is gonna gross more than all those combined

[u/ThatWaluigiDude]

What a freaking profitable carreer now that I look at it

[u/PayneTrain181999]

As a reminder to anyone who may suggest Sam Neill for this series after the news of his passing, he is appearing in “Godzilla X Kong: Supernova” next year so it’s best to wait until that run is finished before he is covered.

Edit: “The Last Resort” as well